"Voce Mea" by Costanzo Porta, The Rose Ensemble, Jordan Sramek was released on June 1, 2014. The duration of Voce Mea is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Voce Mea's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Rose Ensemble, Jordan Sramek's "Il poverello: Medieval & Renaisssance Music for Saint Francis of Assisi" album is number 18 out of 19. Voce Mea is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Voce Mea by Costanzo Porta, The Rose Ensemble, Jordan Sramek to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Luz y norte musical: Pabanas | Lucas Ruiz de Ribayaz, Piffaro | D♭ Major | 0 | 3B | 99 BPM | ||
Bookes of Ayres, Book 2*: Never weather-beaten saile more willing bent to shore | Thomas Campion, Julianne Baird, Ronn McFarlane | A♭ Major | 0 | 4B | 0 BPM | ||
Sancte Francisce Propera | Costanzo Porta, The Rose Ensemble, Jordan Sramek | E♭ Minor | 2 | 2A | 101 BPM | ||
In odorem - Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis canticorum": No. 1. Osculetur me osculo oris sui: Antiphon: In odorem - Osculetur me | Giovanni Pierluigi da Palestrina, Mirjam Schubert, Palestrina Ensemble Munich, Venanz Schubert | D♭ Minor | 1 | 12A | 74 BPM | ||
Ero così dicea | Costanzo Porta, Ensemble Les Nations, Speculum Musicae | G Major | 1 | 9B | 79 BPM | ||
Discretio - Ego Discretio | Hildegard von Bingen, Romain Dayez, Jean-Paul Dessy | A Major | 1 | 11B | 71 BPM | ||
Missa Prolationum: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | F♯ Major | 1 | 2B | 79 BPM | ||
L'Euridice, prologo: Aria di Romanesca | Giulio Caccini, Scherzi Musicali, Nicolas Achten | G Minor | 0 | 6A | 79 BPM | ||
Canzona, Z. 860 | Henry Purcell, Les Trompettes des Plaisirs, Jean-François Madeuf | D♭ Minor | 0 | 12A | 117 BPM | ||
Tallis: Blessed are those that be undefiled - 3. Glory be to the Father | Thomas Tallis, The Tallis Scholars, Peter Phillips | D Major | 1 | 10B | 57 BPM |
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