"Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 2: Air and Recitative: Revenge, revenge, Timotheus cries ... Behold, a ghastly band" by Handel, Honor Sheppard, Alfred Deller, Oriana Concert Choir, Max Worthley, Maurice Bevan, Oriana Concert Orchestra was released on February 19, 2013. Since Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 2: Air and Recitative: Revenge, revenge, Timotheus cries ... Behold, a ghastly band is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 40 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 2: Air and Recitative: Revenge, revenge, Timotheus cries ... Behold, a ghastly band is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 2: Air and Recitative: Revenge, revenge, Timotheus cries ... Behold, a ghastly band by Handel, Honor Sheppard, Alfred Deller, Oriana Concert Choir, Max Worthley, Maurice Bevan, Oriana Concert Orchestra is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Act II - Soprano Duet, Chorus "Zion Now Her Head Shall Rise" | Handel, Heather Harper, Alexander Young, ECO/Somary, Helen Watts, John Shirley-Quirk | E Minor | 2 | 9A | 67 BPM | ||
Suite No. 2 in B minor, BWV 1067: 7. Badinerie | Johann Sebastian Bach, Berliner Philharmoniker, Herbert von Karajan | C Minor | 2 | 5A | 103 BPM | ||
Tejido | Juan Pablo Fernández Ramos | F Major | 0 | 7B | 136 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
Purcell: Abdelazer, Z. 570: II. Rondeau | Henry Purcell, Yehudi Menuhin, Bath Festival Orchestra | D Minor | 2 | 7A | 104 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM |
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