- BPM
- 83
- Key
- F Major
- Camelot
- 7B
It Came Upon the Midnight Clear (Arr. Arthur Sullivan, Desc. Stephen Cleobury) - Arthur Sullivan, English Traditional, Choir of King's College, Cambridge, Stephen Cleobury, Tom Etheridge Information
- Acousticness
- 92%
- Danceability
- 14%
- Energy
- 19%
- Instrumentalness
- 93%
- Liveness
- 9%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 12%
- Popularity
- 30%
- Loudness
- -19.719 dB
Summary
"It Came Upon the Midnight Clear (Arr. Arthur Sullivan, Desc. Stephen Cleobury)" by Arthur Sullivan, English Traditional, Choir of King's College, Cambridge, Stephen Cleobury, Tom Etheridge was released on October 27, 2014. The duration of It Came Upon the Midnight Clear (Arr. Arthur Sullivan, Desc. Stephen Cleobury) is about 3 minutes long, at 3:23. Based on our data, "It Came Upon the Midnight Clear (Arr. Arthur Sullivan, Desc. Stephen Cleobury)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 25 in Favourite Carols from King's by Stephen Cleobury, Choir of King's College, Cambridge. It Came Upon the Midnight Clear (Arr. Arthur Sullivan, Desc. Stephen Cleobury) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
It Came Upon the Midnight Clear (Arr. Arthur Sullivan, Desc. Stephen Cleobury) BPM
The tempo marking of It Came Upon the Midnight Clear (Arr. Arthur Sullivan, Desc. Stephen Cleobury) by Arthur Sullivan, English Traditional, Choir of King's College, Cambridge, Stephen Cleobury, Tom Etheridge is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
It Came Upon the Midnight Clear (Arr. Arthur Sullivan, Desc. Stephen Cleobury) Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 12. Oh maiden rich in Girton lore (Chorus, Zara... Cpt... | Arthur Sullivan, Pamela Field, Meston Reid, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | D Major | 1 | 10B | 73 BPM | |
 | Orff: Carmina Burana, Pt. 1, Uf dem Anger: Floret silva nobilis | Carl Orff, Riccardo Muti, The Philharmonia Chorus, Philharmonia Orchestra | D Minor | 1 | 7A | 133 BPM | |
 | 39. Poor wand'ring ones, though ye have surely straye | Arthur Sullivan, Valerie Masterson, Pauline Wales, Jean Allister, Christene Palmer, Philip Potter, George Cook, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | A♭ Major | 1 | 4B | 113 BPM | |
 | Turandot / Act 3: "Diecimile anni al nostro Imperatore...Padre augusto" | Giacomo Puccini, Dame Joan Sutherland, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 134 BPM | |
 | Sea Pictures, Op. 37: No. 5, The Swimmer | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | E♭ Major | 4 | 5B | 124 BPM | |
 | The Mikado: Act One: Trio: "I am so proud" | Ohio Light Opera | F♯ Minor | 1 | 11A | 119 BPM | |
 | Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo | Joseph Haydn, Barbara Bonney, Anne Howells, Anthony Rolfe Johnson, Stephen Roberts, London Symphony Chorus, City of London Sinfonia, Richard Hickox | D Major | 2 | 10B | 57 BPM | |
 | Puccini : Turandot : Act 3 "Tu che di gel sei cinta" [Liù] | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | B♭ Minor | 2 | 3A | 118 BPM | |
 | Lakmé., Act Two: Où va la jeune indoue (Lakmé) | Philippe Gille, Edmond Gondinet, Léo Delibes, Orchestre Du Theatre National De L'opera-comique, Mady Mesple, Alain Lombard | G Major | 1 | 9B | 122 BPM | |
 | The Mikado: If You Want to Know Who We Are | Bonaventura Bottone, Gareth Jones, Malcolm Rivers | E♭ Major | 2 | 5B | 109 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.661015510559082
End: 0.6649127006530762