Nocturne (Arr. Cullen for Cello and Orchestra) - Alexander Borodin, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd Information

Acousticness: 99%
Danceability: 13%
Energy: 10%
Instrumentalness: 93%
Liveness: 33%
Loudness: 56%
Speechiness: 6%
Valence: 10%
Popularity: 36%
Loudness: -26.546 dB

Summary

"Nocturne (Arr. Cullen for Cello and Orchestra)" by Alexander Borodin, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd was released on March 25, 1999. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 15 in Cello Moods by Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd, Alexander Borodin, Alexander Glazunov, Anonymous, César Franck, Claude Debussy, Edward Elgar, Frédéric Chopin, Giulio Caccini, Johann Sebastian Bach, Josef Rheinberger, Jules Massenet, Luigi Boccherini, Max Bruch. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Nocturne (Arr. Cullen for Cello and Orchestra) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Nocturne (Arr. Cullen for Cello and Orchestra) BPM

The tempo marking of Nocturne (Arr. Cullen for Cello and Orchestra) by Alexander Borodin, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.

Nocturne (Arr. Cullen for Cello and Orchestra) Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)	Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding	B♭ Major	2	6B	147 BPM
Choral-Vatiationen: Var. I. In canone all'Ottava	Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent	C Major	1	8B	93 BPM
Le roi s'amuse: Pavane	Léo Delibes, Slovak Philharmonic, Ondrej Lenard	B♭ Major	0	6B	91 BPM
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume	Robert Schumann, Kian Soltani, Aaron Pilsan	F Major	0	7B	116 BPM
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato	Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli	E Minor	1	9A	96 BPM
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	D Major	0	10B	127 BPM
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement)	Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov	C Major	1	8B	104 BPM
St. Paul's Suite, Op. 29, No. 2: I. Jig	Gustav Holst, English Sinfonia, Howard Griffiths	D Minor	3	7A	78 BPM
Children's Album No. 1 "Pictures of Childhood": No. 5, Etude	Aram Khachaturian, Charlene Farrugia	A♭ Major	1	4B	85 BPM

ISRC: NLA509708209
Label: L-M Records/RCA Records

Section: 0.9897570610046387

End: 0.9929962158203125