"Concerto for cello and orchestra no. 1 in A Minor, Op. 14 in E Flat Major: I. Allegro moderato" by Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths had its release date on April 7, 2023. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in Cello Concerto No. 1; Symphony Op. 20; Ballad; Romance by Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Concerto for cello and orchestra no. 1 in A Minor, Op. 14 in E Flat Major: I. Allegro moderato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for cello and orchestra no. 1 in A Minor, Op. 14 in E Flat Major: I. Allegro moderato by Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1: I. — | Brian Field, ÉxQuartet | A Minor | 0 | 8A | 123 BPM | ||
Piano Concerto No. 3 in C Major, Op. 144: II. Largo | Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A♭ Major | 0 | 4B | 58 BPM | ||
Angel, Poem-Nocturne | Theodore Akimenko, Bournemouth Symphony Orchestra, Kirill Karabits | E Major | 1 | 12B | 77 BPM | ||
Suite for Violin and Piano from Pulcinella, K34 (1925 Version): IV. Gavotta con due variazioni | Igor Stravinsky, Anthony Marwood, Thomas Adès | D Minor | 2 | 7A | 100 BPM | ||
Fantasia on Themes from Gounod's 'Faust', Op. 20: V. Tempo di Valse: Allegro non troppo | Henryk Wieniawski, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | A Major | 1 | 11B | 125 BPM | ||
Mist of Scented Harbor for solo violin: II. Chrysanthemum Garden | Angel Lam, USAB12395907, Patrick Yim | A Major | 2 | 11B | 113 BPM | ||
Concertino pour flûte et piano, Op. 107 | Cécile Chaminade, Mathilde Calderini, Aurèle Marthan | D Major | 2 | 10B | 68 BPM | ||
Trois romances symboliques, Op. 95: Romance No. 3 in F Major, L’Espérance (Hope) | Georg Goltermann, Katherine Decker, Eun-Hee Park | A Major | 1 | 11B | 169 BPM | ||
Im Walde, Op. 50 (arr. P. Breiner for orchestra): III. Andacht (Devotion) | David Popper, Peter Breiner, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Gerhard Markson | E♭ Major | 0 | 5B | 80 BPM | ||
12 Album Leaves, Op. 51: No. 4 in F Minor. Andante con moto | Reinhold Glière, Maja Bogdanovic, Maria Belooussova | B Minor | 2 | 10A | 98 BPM |