"Reason for the Loving the Harmonica" by Libby Larsen, The American Boychoir was released on September 7, 2009. The duration of Reason for the Loving the Harmonica is about 3 minutes long, at 3:15. Based on our data, "Reason for the Loving the Harmonica" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 25 out of 30 in Fast Cats and Mysterious Cows by The American Boychoir, Patricia Petibon, Catherine King. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Reason for the Loving the Harmonica's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Reason for the Loving the Harmonica by Libby Larsen, The American Boychoir is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Sappho Songs: The Apple Orchard | Ivor Gurney, Susan Bickley, Iain Burnside | E♭ Major | 0 | 5B | 68 BPM | ||
Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
Requiem, Op. 9: I. Introit | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | E♭ Major | 2 | 5B | 122 BPM | ||
To Be Certain of the Dawn: Pt. II: Remembrance: Third Blessing (soprano, children's chorus) | Stephen Paulus, Barry Abelson, Elizabeth Futral, Christina Baldwin, John Tessier, Philip Cokorinos, Minnesota Boychoir, Minnesota Chorale, Basilica Cathedral Choir, Cathedral Choristers, Minnesota Orchestra, Osmo Vänskä | F Minor | 0 | 4A | 171 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
Machine Head. Ted Burke Poems: No. 1, Rexall | Libby Larsen, Will Liverman, Jonathan King | F♯ Major | 0 | 2B | 74 BPM | ||
IAB 5: Ah! Love, but a Day | Amy Beach, Sivan Goldman, Shira Shaked | C Major | 2 | 8B | 129 BPM | ||
The Settling Years: I. Comin' to Town | Libby Larsen, Dale Warland Singers, Dale Warland | G Major | 1 | 9B | 133 BPM | ||
6 Lieder, Op. 31: No. 6, Abschied | Ferdinand Ries, Wolfgang Müller von Königswinter, Äneas Humm, Judit Polgar | F Major | 2 | 7B | 93 BPM | ||
L'enfant et les sortilèges, M. 71, Pt. 1: Part I: Bebe a ete sage? (Mama) | Maurice Ravel, Delphine Galou, Orchestre National De Lyon, Leonard Slatkin | A Major | 1 | 11B | 85 BPM |
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