- BPM
- 99
- Key
- C Major
- Camelot
- 8B
Variations and Fugue in E-Flat Major, Op. 35 "Eroica Variations": Variation I - Ludwig van Beethoven, Claudio Arrau Information
- Acousticness
- 98%
- Danceability
- 29%
- Energy
- 15%
- Instrumentalness
- 49%
- Liveness
- 22%
- Loudness
- 69%
- Speechiness
- 3%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -18.844 dB
Summary
"Variations and Fugue in E-Flat Major, Op. 35 "Eroica Variations": Variation I" by Ludwig van Beethoven, Claudio Arrau was released on 1941. With Variations and Fugue in E-Flat Major, Op. 35 "Eroica Variations": Variation I being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 13 out of 160 in Claudio Arrau - The Complete RCA Victor and Columbia Album Collection by Claudio Arrau. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Variations and Fugue in E-Flat Major, Op. 35 "Eroica Variations": Variation I is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Variations and Fugue in E-Flat Major, Op. 35 "Eroica Variations": Variation I BPM
The tempo marking of Variations and Fugue in E-Flat Major, Op. 35 "Eroica Variations": Variation I by Ludwig van Beethoven, Claudio Arrau is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Variations and Fugue in E-Flat Major, Op. 35 "Eroica Variations": Variation I Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | |
 | 3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | E Major | 0 | 12B | 131 BPM | |
 | Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | |
 | Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | |
 | Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | |
 | Symphony No. 5 in C minor Op. 67: I. Allegro con brio | Sir Roger Norrington, London Classical Players | C Minor | 2 | 5A | 107 BPM | |
 | Paganini: 24 Caprices, Op. 1: No. 2 in B Minor | Niccolò Paganini, Itzhak Perlman | B Minor | 3 | 10A | 95 BPM | |
 | Ballabile | Blagoje Bersa, Goran Filipec | A Minor | 2 | 8A | 0 BPM | |
 | Keyboard Sonatina in C Major, Op. 36, No. 1: I. Allegro | Muzio Clementi, Chun-Young June | G Major | 2 | 9B | 100 BPM | |
 | Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 3. Rondo (Allegro) | Ludwig van Beethoven, Daniel Barenboim | C Minor | 1 | 5A | 97 BPM |
- ISRC
- USSM11401838
- Label
- L-M Records/RCA Records
Section: 0.7213437557220459
End: 0.7270042896270752