Antonín Dvořák, Peter Dvorsky, Vienna State Opera Orchestra, Václav Neumann's 'Rusalka, Op. 114, B. 203, Act III: Act III: Bila moje lani! Bila moje lani! (Prinz)' came out on January 1, 2016. With this song being about 5 minutes long, at 4:46, "Rusalka, Op. 114, B. 203, Act III: Act III: Bila moje lani! Bila moje lani! (Prinz)" by Antonín Dvořák, Peter Dvorsky, Vienna State Opera Orchestra, Václav Neumann is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 27 in Dvořák: Rusalka, Op. 114, B. 203 (Live) by Antonín Dvořák, Gabriela Beňačková, Peter Dvorsky, Yevgeny Nesterenko, Vienna State Opera Orchestra, Václav Neumann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Rusalka, Op. 114, B. 203, Act III: Act III: Bila moje lani! Bila moje lani! (Prinz)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rusalka, Op. 114, B. 203, Act III: Act III: Bila moje lani! Bila moje lani! (Prinz) by Antonín Dvořák, Peter Dvorsky, Vienna State Opera Orchestra, Václav Neumann is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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ダッタン人の踊り (歌劇 イーゴリ公より) 6 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | A Major | 2 | 11B | 176 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Liebestraume, S541/R211 : No. 3: Nocturne in A-Flat Major | Franz Liszt, Jenő Jandó | A♭ Major | 0 | 4B | 60 BPM | ||
Tsar Saltan, Op. 57: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM | ||
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "On a G String" (Arr. for Piano) | Johann Sebastian Bach, Lang Lang | D Major | 0 | 10B | 115 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Carnival of the Animals, R. 125: The Swan | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | G Major | 0 | 9B | 118 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM |
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