Jacques Arcadelt, Jakob Lindberg's 'Quanta beltà (Arr. F. da Milano for Lute)' came out on September 2, 2016. The duration of Quanta beltà (Arr. F. da Milano for Lute) is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Quanta beltà (Arr. F. da Milano for Lute)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jakob Lindberg's "Italian Lute Virtuosi of the Renaissance" album is number 15 out of 26. On top of that, Sweden appears to be the country where this track was created. Quanta beltà (Arr. F. da Milano for Lute) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Quanta beltà (Arr. F. da Milano for Lute) by Jacques Arcadelt, Jakob Lindberg to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Benediction | Laestadian Lutheran Church, Viena Kontkanen | E Major | 1 | 12B | 87 BPM | ||
Tantum ergo, WAB 32 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Antífonia) | Jordi Savall | D Minor | 0 | 7A | 89 BPM | ||
Pange Lingua Gloriosi: Chant Mode III | Chant Mode III, St. Thomas Aquinas, Catherine Bridge, Pam Erven-Sukonik, Kari Ferguson, Katherine Fitzgibbon, Anna Haagenson, Maria Karlin, Emily Kinkley, Stephanie Kramer, Catherine van der Salm, Angela Westhoff-Johnson | C Minor | 0 | 5A | 123 BPM | ||
Missa "Mater Patris": Mater Patris et fil | Josquin des Prez, Antoine Brumel, Jerycho, Bartosz Izbicki | E Major | 2 | 12B | 66 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
Come Holy Ghost | Thomas Attwood, Choir of Clare College, Cambridge, Timothy Brown | F Major | 0 | 7B | 132 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: IV. Hallelujah | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 107 BPM | ||
Viderunt omnes No. 1: ...Dominus... | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 2 | 3B | 128 BPM | ||
Viderunt omnes... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 141 BPM |
Section: 0.6405651569366455
End: 0.6437654495239258