"Mozart: Violin Concerto No. 3 in G Major, K. 216: II. Adagio" by Wolfgang Amadeus Mozart, Christian Tetzlaff, Deutsche Kammerphilharmonie Bremen was released on January 1, 1996. Since Mozart: Violin Concerto No. 3 in G Major, K. 216: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Christian Tetzlaff, Deutsche Kammerphilharmonie Bremen's "Mozart: The 5 Violin Concertos" album is number 8 out of 18. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Mozart: Violin Concerto No. 3 in G Major, K. 216: II. Adagio is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Violin Concerto No. 3 in G Major, K. 216: II. Adagio by Wolfgang Amadeus Mozart, Christian Tetzlaff, Deutsche Kammerphilharmonie Bremen to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis | Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kundlák, Slovak Philharmonic Chorus, Peter Mikulas, Jaroslava Horska, Stefan Klimo, Vladimir Ruso, Wolfgang Amadeus Mozart | G Minor | 1 | 6A | 82 BPM | ||
Musical Characteristics, Op. 19: V. Prelude 1 alla Mozart | Muzio Clementi, Howard Shelley | F Major | 1 | 7B | 68 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Minuet In G, Wo | Lima Musica | F Minor | 1 | 4A | 142 BPM | ||
Concerto for Flute, Harp, and Orchestra in C Major, K. 299: I. Allegro - Cadenza: Susan Palma and Bernard Rose | Wolfgang Amadeus Mozart, Susan Palma-Nidel, Bernard Rose, Nancy Allen, Orpheus Chamber Orchestra | C Major | 1 | 8B | 124 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Piano Quintet in E-Flat Major, K. 452: II. Larghetto | Wolfgang Amadeus Mozart, Allan Vogel, David Shifrin, Robin Graham, Kenneth Munday, Carol Rosenberger | D Major | 1 | 10B | 78 BPM | ||
Violin Concerto in D, K.271a: 2. Andante | Wolfgang Amadeus Mozart, George Enescu, David Garrett, Chamber Orchestra of Europe, Claudio Abbado | G Major | 0 | 9B | 116 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio - Allegretto vivace - Allegro animato | Franz Liszt, Lang Lang, Valery Gergiev, Wiener Philharmoniker | B Major | 1 | 1B | 79 BPM |
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