"Massenet: 2 Berceuses: No. 2, Sans indication de mouvement" by Jules Massenet, Aldo Ciccolini was released on January 1, 1980. The duration of Massenet: 2 Berceuses: No. 2, Sans indication de mouvement is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Massenet: 2 Berceuses: No. 2, Sans indication de mouvement's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jules Massenet, Aldo Ciccolini, Orchestre National de l'Opéra de Monte-Carlo, Sylvain Cambreling's "Massenet: L'œuvre de piano" album is number 56 out of 56. On top of that, France appears to be the country where this track was created. Massenet: 2 Berceuses: No. 2, Sans indication de mouvement is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Massenet: 2 Berceuses: No. 2, Sans indication de mouvement by Jules Massenet, Aldo Ciccolini to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Massenet: Thaïs, Act II, Tableau 2: Méditation (Andante religioso) | Jules Massenet, Lorin Maazel, New Philharmonia Orchestra | D Major | 1 | 10B | 67 BPM | ||
Canon and Gigue in D major - arr. Max Seiffert: 1. Canon | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 92 BPM | ||
Méditation, From Thaïs | Arts Music Recording, Rotterdam, Gil Sharon, Jules Massenet, Idith Zvi | D Major | 1 | 10B | 92 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Thais (arr. L. Gallet for violin and piano): Thais, Act II: Meditation (arr. L. Gallet for violin and piano) | Louis Gallet, Jules Massenet, Duo Intermezzo | D Major | 1 | 10B | 91 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Thais, Act II: Meditation (arr. M. P. Marsick) | Martin Pierre Marsick, Jules Massenet, Elissa Lee Koljonen, Robert Koenig | E Minor | 1 | 9A | 88 BPM | ||
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM |
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