"6 Short Organ Preludes and Postludes, Op. 105: Organ Postlude in D Minor" by Charles Villiers Stanford, Robert Patterson was released on April 5, 2011. With this song being about 5 minutes long, at 5:23, "6 Short Organ Preludes and Postludes, Op. 105: Organ Postlude in D Minor" by Charles Villiers Stanford, Robert Patterson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 17 out of 17 in Evensong at New College Oxford by Edward Higginbottom. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 6 Short Organ Preludes and Postludes, Op. 105: Organ Postlude in D Minor is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Short Organ Preludes and Postludes, Op. 105: Organ Postlude in D Minor by Charles Villiers Stanford, Robert Patterson is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Songs, Op. 42: I. Abendständchen | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM | ||
Gott ist mein Hirt, D. 706 | Franz Schubert, Ensemble Pygmalion, Raphael Pichon | E Minor | 0 | 9A | 56 BPM | ||
Te Deum, Hob. XXIIIc:2 | Joseph Haydn, Richard Hickox, Collegium Musicum 90, Collegium Musicum 90 Choir | E Major | 1 | 12B | 71 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM | ||
3 Motets, Op. 43: No. 2, Peace I Leave with You | Knut Nystedt, The Norwegian Soloists' Choir, Grete Pedersen | D♭ Minor | 0 | 12A | 86 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: II. Gloria | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 137 BPM | ||
Communion Service in C Major: Sanctus | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 0 | 7B | 74 BPM | ||
Exultate Justi | Lodovico Grossi da Viadana, Voices of Ascension Chorus, Dennis Keene | A Major | 1 | 11B | 78 BPM | ||
The Revenge - A Ballad of the Fleet, Op. 24: I. At Flores in the Azores | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, BBC National Chorus of Wales | C Major | 0 | 8B | 80 BPM |
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