Johann Sebastian Strauss, London Festival Orchestra made "Morning Papers Waltz / Die Fledermaus (Du und Du) / The Blue Danube (Reprise)" available on January 1, 2021. With Morning Papers Waltz / Die Fledermaus (Du und Du) / The Blue Danube (Reprise) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 14 in the song's album "The Best Of Strauss". In this album, this song's track order is #14. The popularity of Morning Papers Waltz / Die Fledermaus (Du und Du) / The Blue Danube (Reprise) is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Morning Papers Waltz / Die Fledermaus (Du und Du) / The Blue Danube (Reprise) by Johann Sebastian Strauss, London Festival Orchestra having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Las Golondrinas, III parte: "Pantomima" | Coro del Gran Teatro Lírico de Bacelona, Orquesta del Gran Teatro del Liceo de Barcelona | E♭ Major | 2 | 5B | 129 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 2, Dance du coq et des poules | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 4 | 10B | 164 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): VI. Az el menes (Marching off) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 149 BPM | ||
Manon Lescaut, S. 69, Act II: In quelle trine morbide | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | B♭ Minor | 0 | 3A | 60 BPM | ||
弦楽のための組曲: 第1楽章: A-Roving/さすらい | John Rutter, 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM | ||
La Corte del Faraón: "Introducción" | Vicente Lleó Balbastre, Ataúlfo Argenta, Gran Orquesta Sinfonica | E♭ Major | 2 | 5B | 68 BPM | ||
Day of a Chance | Paolo MIllon, Neon Lilith, Tiziana La Rinnati, Metasymphony | A♭ Major | 1 | 4B | 60 BPM | ||
Nuevas Sensaciones | Sirenas Celestiales | E♭ Minor | 1 | 2A | 130 BPM | ||
Méditation (from Thaïs) | Jules Massenet, London Festival Orchestra, Alberto Lizzio | E Minor | 1 | 9A | 52 BPM | ||
Persischer Marsch | Johann Strauss Orchester | G Minor | 3 | 6A | 117 BPM |
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