Sergei Rachmaninoff, Aurélien Pontier's 'Rachmaninov: Polka de W. R. (After Behr’s La rieuse, Op. 303)' had a release date set for May 31, 2024. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vienna: Joyful Apocalypse by Aurélien Pontier, Arnold Schoenberg, Franz Liszt, Franz Schubert, Gustav Mahler, Leopold Godowsky, Maurice Ravel, Pyotr Ilyich Tchaikovsky, Sergei Rachmaninoff. The song's track number on the album is #4 out of 15 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Rachmaninov: Polka de W. R. (After Behr’s La rieuse, Op. 303) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rachmaninov: Polka de W. R. (After Behr’s La rieuse, Op. 303) by Sergei Rachmaninoff, Aurélien Pontier has a tempo of 108 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rachmaninov: Polka de W. R. (After Behr’s La rieuse, Op. 303) being at 108 BPM, the half-time would be 54 BPM with a double-time of 216 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Impromptus, Op. 5: No. 5 in B Minor | Jean Sibelius, Carmen Stefanescu | B Minor | 1 | 10A | 69 BPM | ||
Album Leaf for Vazlaw Ulwer in E-Flat Minor, JB 1:23 | Bedřich Smetana, Jitka Čechová | G Major | 3 | 9B | 63 BPM | ||
7 Piano Pieces, Op. 1: No. 6, Pastorale | Halfdan Cleve, Eva Knardahl | A Minor | 0 | 8A | 75 BPM | ||
48 Esquisses, Op. 63, Book 4: No. 43, Notturnino – Innamorato | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
Carnaval, Op. 9: II. Pierrot. Moderato | Robert Schumann, Stephen Hough | A♭ Major | 2 | 4B | 111 BPM | ||
Prelude & Fugue in D Minor, BWV 539 "Fiddle" (Arr. Goedicke for Piano): II. Fugue | Johann Sebastian Bach, Hamish Milne | D Minor | 1 | 7A | 114 BPM | ||
Glosas sobre el Mariam Matrem | Jesús Legido, Diego Fernández Magdaleno | A Minor | 0 | 8A | 209 BPM | ||
Concert Étude, Op. 35: No. 2, Automne | Máire Carroll | D♭ Major | 1 | 3B | 69 BPM | ||
12 Etudes, L.136: 8. Pour les Agréments | Claude Debussy, Hans Henkemans | F Minor | 0 | 4A | 74 BPM | ||
Années de pèlerinage I, Suisse, S. 160: IV. Au bord d'une source | Franz Liszt, Stephen Hough | D Major | 1 | 10B | 90 BPM |