Robert Schumann, Helen Habershon, John Lenehan's 'Kinderszenen, Op. 15: No. 7, Träumerei (Arr. J. Lenehan for Clarinet & Piano)' came out on March 11, 2022. The duration of Kinderszenen, Op. 15: No. 7, Träumerei (Arr. J. Lenehan for Clarinet & Piano) is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Kinderszenen, Op. 15: No. 7, Träumerei (Arr. J. Lenehan for Clarinet & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 19 in Found in Dreams by Helen Habershon, John Lenehan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Kinderszenen, Op. 15: No. 7, Träumerei (Arr. J. Lenehan for Clarinet & Piano) is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Kinderszenen, Op. 15: No. 7, Träumerei (Arr. J. Lenehan for Clarinet & Piano) by Robert Schumann, Helen Habershon, John Lenehan is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
Chopin: 12 Études, Op. 10: No. 3 in E Major "Tristesse" | Frédéric Chopin, Boris Berezovsky | F Minor | 2 | 4A | 84 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Lieder ohne Worte, Book 2, Op. 30: No. 6 in F-Sharp Minor, MWV U110 "Venetianisches Gondelleid" | Felix Mendelssohn, Denis Kozhukhin | F♯ Minor | 0 | 11A | 67 BPM |
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