"Cinco Canciones negras (1962 Digital Remaster): Canto negro (Guillén)" by Xavier Montsalvatge, Victoria de los Ángeles, Rafael Frühbeck de Burgos, Orch.De La Soc. Des Concerts Du Concervatoire, Orchestre De La Société Des Concerts Du Conservatoire was released on 1962. The duration of Cinco Canciones negras (1962 Digital Remaster): Canto negro (Guillén) is about 3 minutes long, at 3:09. Based on our data, "Cinco Canciones negras (1962 Digital Remaster): Canto negro (Guillén)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "On Wings of Song". In this album, this song's track order is #13. The popularity of Cinco Canciones negras (1962 Digital Remaster): Canto negro (Guillén) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cinco Canciones negras (1962 Digital Remaster): Canto negro (Guillén) by Xavier Montsalvatge, Victoria de los Ángeles, Rafael Frühbeck de Burgos, Orch.De La Soc. Des Concerts Du Concervatoire, Orchestre De La Société Des Concerts Du Conservatoire having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
The music key of this track is A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abschiedsserenade: II | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D♭ Major | 0 | 3B | 80 BPM | ||
Chanson triste | Henri Duparc, Jessye Norman, Dalton Baldwin | D Major | 1 | 10B | 68 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Kindertotenlieder (Rückert) (1999 Digital Remaster): I: Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Dame Janet Baker, Hallé, Sir John Barbirolli | G Minor | 0 | 6A | 88 BPM | ||
3 Pieces for cello and piano: No. 3. Vite et nerveusement rythme | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | D♭ Major | 1 | 3B | 151 BPM | ||
Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 61 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Beau soir (arr. J. Heifetz) | Jascha Heifetz, Claude Debussy, Elissa Lee Koljonen, Robert Koenig | F♯ Minor | 0 | 11A | 66 BPM | ||
Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM |
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