Jacques Loussier Trio made "Bach: Prelude No. 1 in C major from The Well-Tempered Clavier, BWV 846" available on January 1, 1999. With this song being about 5 minutes long, at 4:48, "Bach: Prelude No. 1 in C major from The Well-Tempered Clavier, BWV 846" by Jacques Loussier Trio is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "The Bach Book". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Bach: Prelude No. 1 in C major from The Well-Tempered Clavier, BWV 846's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Bach: Prelude No. 1 in C major from The Well-Tempered Clavier, BWV 846 by Jacques Loussier Trio having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harlem Nocturne for Bassoon, Double Bass, Hammond Organ and Drums (arr. Marijn van Prooijen) | Earle Hagen, Marijn van Prooijen, Bram van Sambeek, Rick Stotijn, Sven Figee, Marijn Korff de Gidts | A Minor | 2 | 8A | 169 BPM | ||
Selon Moi | Alboran Trio | C Major | 2 | 8B | 104 BPM | ||
Early Autumn | Joe Lovano | B♭ Major | 2 | 6B | 72 BPM | ||
Cavalleria rusticana : Intermezzo - Arr. for Piano and Double Bass | Pietro Mascagni, PianoBasso | F Major | 0 | 7B | 110 BPM | ||
Pastorella in F major (Arr. for Jazz Trio from Pastorella in F major, BWV 590) | Johann Sebastian Bach, Jacques Loussier Trio | G Minor | 3 | 6A | 127 BPM | ||
Guantanameritmo | Wolfgang Amadeus Mozart, Elio Rodriguez Luis, Klazz Brothers, Cuba Percussion | C Minor | 5 | 5A | 139 BPM | ||
Goldberg Variations: Variation 10 | Jacques Loussier Trio | G Major | 4 | 9B | 170 BPM | ||
Brunete | Eddie Daniels | A Major | 2 | 11B | 155 BPM | ||
Love Is Here To Stay | George Gershwin, Zubin Mehta, New York Philharmonic | F Major | 1 | 7B | 109 BPM | ||
The Prodigal Song | Tord Gustavsen Quartet | A Minor | 1 | 8A | 101 BPM |
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