"Peter Grimes Op. 33, Scene 2: In dreams I've built myself some kindlier home (Peter)" by Benjamin Britten, Anthony Rolfe Johnson, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Orch.Of Royal Opera House Covent Garden had its release date on 1993. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 45 in Britten: Peter Grimes by Benjamin Britten, Bernard Haitink. Peter Grimes Op. 33, Scene 2: In dreams I've built myself some kindlier home (Peter) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peter Grimes Op. 33, Scene 2: In dreams I've built myself some kindlier home (Peter) by Benjamin Britten, Anthony Rolfe Johnson, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Orch.Of Royal Opera House Covent Garden is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor for Cello & Piano, L.135: 3. Finale (Animé) | Claude Debussy, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Serenade for tenor, horn & strings, Op.31: Serenade for tenor, horn & strings, Op.31: III. Nocturne | Benjamin Britten, Mark Padmore, Britten Sinfonia | E♭ Major | 2 | 5B | 79 BPM | ||
Concerto for Organ, Strings and Percussion in G minor, FP 93: Allegro giocoso | Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit | D Major | 1 | 10B | 110 BPM | ||
Peter Grimes, Prologue: "Peter Grimes!" | Benjamin Britten, Glenn Winslade, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 104 BPM | ||
Symphonic Dances, Op. 45: I. Non allegro | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | A Major | 1 | 11B | 113 BPM | ||
8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: 1. Zueignung | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | C Major | 2 | 8B | 102 BPM | ||
Japanese Suite, Op. 33: IV. Interlude: Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | D Major | 0 | 10B | 85 BPM | ||
Lieutenant Kijé, Symphonic Suite, Op.60: 2. Romance | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 109 BPM |