"From Jewish Life (arr. C. Palmer): II. Supplication" by Christopher Palmer, Ernest Bloch, Steven Isserlis, Tapiola Sinfonietta, Gábor Takács-Nagy was released on August 24, 2010. The duration of From Jewish Life (arr. C. Palmer): II. Supplication is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. From Jewish Life (arr. C. Palmer): II. Supplication's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "reVisions". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Sweden. The popularity of From Jewish Life (arr. C. Palmer): II. Supplication is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With From Jewish Life (arr. C. Palmer): II. Supplication by Christopher Palmer, Ernest Bloch, Steven Isserlis, Tapiola Sinfonietta, Gábor Takács-Nagy having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Petite Suite de Concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | D Major | 0 | 10B | 62 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Bonis: Miocheries, Op. 126: No. 13, La toute petite s'endort | Mel Bonis, Bertrand Chamayou | B Minor | 0 | 10A | 81 BPM | ||
Molino: Duo No. 3, Op. 16: I. Andantino | Emmanuel Pahud, Christian Rivet | G Major | 0 | 9B | 167 BPM | ||
Adagio in B Minor, K. 540 | Wolfgang Amadeus Mozart, Víkingur Ólafsson | A♭ Major | 0 | 4B | 69 BPM | ||
4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | D Major | 0 | 10B | 100 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Piano Sonata in G Minor: II. Romanza: Andante quasi adagio | Wilhelm Stenhammar, Niklas Sivelov | B♭ Major | 0 | 6B | 74 BPM |
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