Italian Capriccio, Op. 45, TH 47: Capriccio Italien, Op. 45
Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper
TCHAIKOVSKY FESTIVAL
14:53 June 18, 1991
BPM
92
Key
A Major
Camelot
11B

Embed

Share Link

Italian Capriccio, Op. 45, TH 47: Capriccio Italien, Op. 45 - Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper Information

Acousticness
91%
Danceability
22%
Energy
15%
Instrumentalness
70%
Liveness
25%
Loudness
70%
Speechiness
5%
Valence
8%
Popularity
Loudness
-18.192 dB

Summary

"Italian Capriccio, Op. 45, TH 47: Capriccio Italien, Op. 45" by Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper was released on June 18, 1991. Italian Capriccio, Op. 45, TH 47: Capriccio Italien, Op. 45 appears to be safe for all ages as it is not explicit. There are a total of 4 in the song's album "TCHAIKOVSKY FESTIVAL". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Italian Capriccio, Op. 45, TH 47: Capriccio Italien, Op. 45 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Italian Capriccio, Op. 45, TH 47: Capriccio Italien, Op. 45 BPM

With Italian Capriccio, Op. 45, TH 47: Capriccio Italien, Op. 45 by Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Italian Capriccio, Op. 45, TH 47: Capriccio Italien, Op. 45 Key

This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Salut d'amour, Op. 12 (version for orchestra) by Edward Elgar, Slovak Radio Symphony Orchestra, Adrian LeaperSalut d'amour, Op. 12 (version for orchestra)Edward Elgar, Slovak Radio Symphony Orchestra, Adrian LeaperB♭ Major16B82 BPM
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: II. Minuetto. Allegretto by Frédéric Chopin, Leif Ove AndsnesChopin: Piano Sonata No. 1 in C Minor, Op. 4: II. Minuetto. AllegrettoFrédéric Chopin, Leif Ove AndsnesE♭ Major05B148 BPM
Elfentanz, Op. 39 - Dance of the Elves by David Popper, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael SamsonovElfentanz, Op. 39 - Dance of the ElvesDavid Popper, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael SamsonovG Major49B96 BPM
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante by Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the FieldsDouble Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. AndanteJohannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the FieldsG Major19B95 BPM
Les saisons (The Seasons), Op. 37b: XI. November: Troika by Ilya RachkovskyLes saisons (The Seasons), Op. 37b: XI. November: TroikaIlya RachkovskyE Major012B74 BPM
El sombrero de tres picos, Pt. 1: III. Danza de la molinera by Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the AmericasEl sombrero de tres picos, Pt. 1: III. Danza de la molineraManuel de Falla, Carlos Miguel Prieto, The Orchestra of the AmericasD Major110B121 BPM
Grand Galop chromatique in E-Flat Major, S. 219 by Franz Liszt, Lang LangGrand Galop chromatique in E-Flat Major, S. 219Franz Liszt, Lang LangA♭ Major34B153 BPM
Variations on a Theme by Haydn, Op. 56a, Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": AndanteJohannes Brahms, London Philharmonic Orchestra, Marin AlsopF♯ Major32B125 BPM
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens by Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore KucharPrince Igor (Knyaz Igor): Act II: Dance of the Polovtsian MaidensAlexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore KucharF Major27B95 BPM
Suite No. 3, P. 172: I. Italiana: Andantino by Ottorino Respighi, RTÉ National Symphony OrchestraSuite No. 3, P. 172: I. Italiana: AndantinoOttorino Respighi, RTÉ National Symphony OrchestraB♭ Major16B94 BPM
ISRC
HKI199318402
Label
L-M Records/RCA Records

Section: 0.7250595092773438

End: 0.7298197746276855