George Frideric Handel, Peter Hurford, Concertgebouw Chamber Orchestra, Johan Kracht, Henk Sekreve, Joshua Rifkin made "Organ Concerto No. 4 in F Major, Op. 4 No. 4, HWV 292: 3. Adagio" available on September 19, 1986. With Organ Concerto No. 4 in F Major, Op. 4 No. 4, HWV 292: 3. Adagio being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Peter Hurford, Concertgebouw Chamber Orchestra, Joshua Rifkin's "Handel: Organ Concertos, Op. 4" album is number 15 out of 34. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Organ Concerto No. 4 in F Major, Op. 4 No. 4, HWV 292: 3. Adagio is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Organ Concerto No. 4 in F Major, Op. 4 No. 4, HWV 292: 3. Adagio by George Frideric Handel, Peter Hurford, Concertgebouw Chamber Orchestra, Johan Kracht, Henk Sekreve, Joshua Rifkin to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2a. Allegro moderato - Presto - Allegro moderato | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | D Minor | 2 | 7A | 69 BPM | ||
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Altri canti di Marte e di sua schiera (sv155) -Part I: Altri canti di Marte e di sua schiera | Claudio Monteverdi / Marino (t), Alfred Deller, Deller Consort | G Major | 3 | 9B | 132 BPM | ||
Trio Sonata in F Major, W. VII:3, B. 12: III. Tempo di minuetto | Johann Christoph Friedrich Bach, London Baroque | E Major | 1 | 12B | 111 BPM | ||
Konzert für Violoncello, Streicher & Basso continuo g-moll: III. Allegro non tanto | Georg Matthias Monn, Balázs Máté/Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani | F♯ Minor | 2 | 11A | 127 BPM | ||
Naïs - Ouverture | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | B Major | 5 | 1B | 125 BPM | ||
Magnificat, R.611: 1. Adagio: Magnificat | Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable | A Minor | 1 | 8A | 74 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | C Major | 3 | 8B | 94 BPM | ||
Prélude from "Te Deum", H.146 | Marc-Antoine Charpentier, The Michael Laird Brass Ensemble, Peter Hurford | D Major | 1 | 10B | 111 BPM | ||
Concerto for Descant Recorder, Strings, and Continuo in F: 1. Allegro | Giovanni Battista Sammartini, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | F Major | 1 | 7B | 127 BPM |
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