Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable's 'Magnificat, R.611: 1. Adagio: Magnificat' came out on 1988. With Magnificat, R.611: 1. Adagio: Magnificat being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: The Great Choral Masterpieces by Antonio Vivaldi, Various Artists. The song's track number on the album is #18 out of 57 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Magnificat, R.611: 1. Adagio: Magnificat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Magnificat, R.611: 1. Adagio: Magnificat by Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Magnificat, R.611: 1. Adagio: Magnificat being at 74 BPM, the half-time would be 37 BPM with a double-time of 148 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
12 Concertos, Op. 3 - "L'estro armonico" / Concerto No. 10 in B Minor for 4 Violins & Cello, RV 580: 2a. Largo | Antonio Vivaldi, Henryk Szeryng, Maurice Hasson, Gérard Poulet, Claire Bernard, English Chamber Orchestra | B Major | 2 | 1B | 132 BPM | ||
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": III. Tempo di minuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 152 BPM | ||
Las Cuatro Estaciones Porteñas: III. Primavera Porteño - Arr. for Cello & Chamber Orchestra by Trey Lee | Astor Piazzolla, Trey Lee, English Chamber Orchestra | G Minor | 2 | 6A | 99 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Arr. Hogwood for Violin, Oboe & Strings: 2. Adagio | Johann Sebastian Bach, Carmel Kaine, Tess Miller, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 84 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : II. Allegro | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 2 | 5A | 93 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM | ||
The 4 Seasons: Violin Concerto In F Major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): II. Adagio | Sonatori de la Gioiosa Marca, Giuliano Carmignola, Antonio Vivaldi | D Major | 0 | 10B | 113 BPM | ||
Brandenburg Concerto No. 6 in B flat, BWV 1051: 1. -- | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM |
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