Theo Mackeben, Joe Dassin, Henri Betti, Louis Guglielmi, Léo Ferré, Ralph Maria Siegel, Henri Contet, Paul Durand, Cole Porter, Kurt Feltz, Salaputia Brass made "So ist Paris" available on May 10, 2024. Since So ist Paris is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 35 in Chansons sans paroles by Salaputia Brass. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, So ist Paris's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of So ist Paris by Theo Mackeben, Joe Dassin, Henri Betti, Louis Guglielmi, Léo Ferré, Ralph Maria Siegel, Henri Contet, Paul Durand, Cole Porter, Kurt Feltz, Salaputia Brass is Vivace (lively and fast), since this song has a tempo of 157 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hab mich lieb: Komm, und gib' mir deine Hand | Franz Grothe, Sven Olof Sandberg, Studio Orchestra, Benny De Weille | G Major | 2 | 9B | 78 BPM | ||
Tiempo de sus vibraciones | Padre GainsCone | F Minor | 1 | 4A | 110 BPM | ||
Die Dubarry: "Immer nähen, immer nähen" (Chor) | Carl Millöcker, Theo Mackeben, RIAS-Unterhaltungsorchester, Fried Walter, RIAS Kammerchor | G Major | 4 | 9B | 83 BPM | ||
Der Morgenchoral des Peachum (1.Akt) (Jonathan Jer | Bertolt Brecht, Kurt Weill | G Minor | 2 | 6A | 76 BPM | ||
Te encontrare | Classic jazz fest | B Major | 2 | 1B | 113 BPM | ||
The Merry Widow / Act 3: Njegus's Aria: I was born by cruel fate | Franz Lehár, Graeme Ewer, National Philharmonic Orchestra, Richard Bonynge | D Major | 2 | 10B | 88 BPM | ||
Metropolis: I. Auftakt: Der Schmale - Autofahrt | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | F♯ Major | 0 | 2B | 78 BPM | ||
The Gypsy Princess (Die Csárdásfürstin): "Joj, Mamam" | Emmerich Kálmán, Willy Hofmann, Benno Kusche, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | C Major | 3 | 8B | 122 BPM | ||
Die Dubarry: "Im Park von Trianon" (Chor) | Carl Millöcker, Theo Mackeben, RIAS-Unterhaltungsorchester, Fried Walter, RIAS Kammerchor | G Major | 4 | 9B | 121 BPM | ||
Wiener Blut (operetta): Einleitung - Wiener Blut | Johann Strauss II, Sandor Konya, Herta Talmar, Willy Hofmann, Chor, Kölner Rundfunkorchester, Franz Marszalek | C Major | 3 | 8B | 140 BPM |
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