"The Seven Last Words of Christ, Hob. XX:1a, Op. 51: I. Introduzione 1: Largo e cantabile" by Slovak Philharmonic, Jozef Kandlak, Magdaléna Hajóssyová, Peter Mikulas, Hana Stolfova-Bandova was released on March 10, 2009. With this song being about 5 minutes long, at 5:17, "The Seven Last Words of Christ, Hob. XX:1a, Op. 51: I. Introduzione 1: Largo e cantabile" by Slovak Philharmonic, Jozef Kandlak, Magdaléna Hajóssyová, Peter Mikulas, Hana Stolfova-Bandova is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Joseph Haydn: The Essential Works - 200 Year Anniversary Collection" album is number 39 out of 59. The popularity of The Seven Last Words of Christ, Hob. XX:1a, Op. 51: I. Introduzione 1: Largo e cantabile is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Seven Last Words of Christ, Hob. XX:1a, Op. 51: I. Introduzione 1: Largo e cantabile by Slovak Philharmonic, Jozef Kandlak, Magdaléna Hajóssyová, Peter Mikulas, Hana Stolfova-Bandova to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade, Op. 35: III. Die Geschichte vom Prinzen Kalender | Nikolai Rimsky-Korsakov, Slovak Philharmonic, Bystrik Rezucha | B Major | 1 | 1B | 125 BPM | ||
Waltz No. 19 in A minor, Op. posth. | Frédéric Chopin, Peter Jablonski | A Minor | 0 | 8A | 69 BPM | ||
Romeo and Juliet, Op. 64: No. 13 Dance of the Knights | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | C Major | 1 | 8B | 73 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Mass in B Minor, BWV 232 "Hohe Messe": No. 4 Chorus: Et incarnatus est | Johann Sebastian Bach, Carlo Maria Giulini, Bavarian Radio Symphony Orchestra | B Minor | 0 | 10A | 75 BPM | ||
Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 76 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM |
Section: 0.7474575042724609
End: 0.7516803741455078