Fahmi Alqhai, Arcángel, Accademia del Piacere made "¡Ay, que me abraso! - Live" available on February 1, 2014. Since ¡Ay, que me abraso! - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Fahmi Alqhai, Arcángel, Accademia del Piacere's "Las Idas y las Vueltas" album is number 12 out of 12. ¡Ay, que me abraso! - Live is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of ¡Ay, que me abraso! - Live by Fahmi Alqhai, Arcángel, Accademia del Piacere to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor for 2 Mandolins, RV. 532: Andante (Arr. For Cello and Voice) | Antonio Vivaldi, Yo-Yo Ma, Bobby McFerrin | G Major | 1 | 9B | 113 BPM | ||
Estonian Lullaby | Veljo Tormis, Jan Garbarek, The Hilliard Ensemble | E Major | 1 | 12B | 70 BPM | ||
Petite camusette, NJE 30.7 | Josquin des Prez, Graindelavoix, Björn Schmelzer | B Minor | 4 | 10A | 105 BPM | ||
Ancor che col partire | Cipriano de Rore, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 2 | 8A | 73 BPM | ||
Hit in the Middle | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Major | 0 | 3B | 77 BPM | ||
[Suite en sol mineur]: I. Prélude (No. 63) | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 0 | 11A | 115 BPM | ||
La zanetta padovana | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | D Minor | 0 | 7A | 71 BPM | ||
Ja nus hons pris | Richard I of England, James Bowman, Early Music Consort Of London, David Munrow | D Minor | 0 | 7A | 80 BPM | ||
The Lord Monk's March / Hey to the Camp | Henry Purcell, James Oswald, Les Musiciens De Saint-Julien, François Lazarevitch | D Major | 3 | 10B | 142 BPM | ||
Recercada Passamezzo | Diego Ortiz, Capella De La Torre, Katharina Bauml | C Major | 2 | 8B | 116 BPM |
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