"Rezia´s Arie (L´incontro Imrovviso)" by Eteri Lamoris was released on August 23, 2006. With this song being about 5 minutes long, at 5:03, "Rezia´s Arie (L´incontro Imrovviso)" by Eteri Lamoris is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Virtuosissimo by Eteri Lamoris. The song's track number on the album is #1 out of 15 tracks. Based on our data, Austria was the country where this track was produced or recorded. In terms of popularity, Rezia´s Arie (L´incontro Imrovviso) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Rezia´s Arie (L´incontro Imrovviso) by Eteri Lamoris has a tempo of 118 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Rezia´s Arie (L´incontro Imrovviso) being at 118 BPM, the half-time would be 59 BPM with a double-time of 236 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Magic Flute, K. 620: Act II, No. 17. Aria: "Ach ich fühl's, es ist verschwunden" | Rundfunkorchester des Südwestfunks Baden-Baden | G Minor | 1 | 6A | 182 BPM | ||
L'elisir d'amore / Act 2: "Ei corregge ogni difetto" | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Luciano Pavarotti, Dominic Cossa, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 3 | 6B | 126 BPM | ||
Tannhäuser, Tannhauser, Act II: Blick ich umher in diesem edlen Kreise | Richard Wagner, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 0 | 5B | 100 BPM | ||
Gedankenpflug - Walzer Op. 215 | Johann Strauss II, Willi Boskovsky, Wiener Johann Strauss Orchester | D Major | 1 | 10B | 100 BPM | ||
Gluck: Orphée et Eurydice, Act 3: "J'ai perdu mon Eurydice" (Orphée) | Christoph Willibald Gluck, Susan Graham, Harry Bicket, Orchestra of the Age of Enlightenment | E Minor | 1 | 9A | 79 BPM | ||
Lieder ohne Worte, Op.62: No. 6 Andante grazioso in A "Spring Song" | Felix Mendelssohn, Werner Haas | A Major | 0 | 11B | 79 BPM | ||
La bohème, Act I: "Che gelida manina" | Giacomo Puccini, David Hobson, Marco Guidarini, Tasmanian Symphony Orchestra | E Major | 1 | 12B | 67 BPM | ||
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, Carlo Bergonzi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | F Major | 3 | 7B | 86 BPM | ||
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient avec un éclat métallique" (Carmen, Frasquita, Mercédès) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Christina Landshammer, Magdalena Kozená, Rachel Frenkel | C Major | 2 | 8B | 121 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.7 Notturno | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | E Major | 0 | 12B | 67 BPM |
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