"Schubert: Stabat Mater in F Minor, D. 383: No. 6, Arie. "Ach, was hätten wir empfunden"" by Franz Schubert, Michel Corboz, Alejandro Ramirez, Orchestre de Chambre de Lausanne was released on October 1, 1994. The duration of Schubert: Stabat Mater in F Minor, D. 383: No. 6, Arie. "Ach, was hätten wir empfunden" is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Schubert: Stabat Mater in F Minor, D. 383: No. 6, Arie. "Ach, was hätten wir empfunden"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Schubert : Stabat Mater, Offertorium & Magnificat (Apex)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. In terms of popularity, Schubert: Stabat Mater in F Minor, D. 383: No. 6, Arie. "Ach, was hätten wir empfunden" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schubert: Stabat Mater in F Minor, D. 383: No. 6, Arie. "Ach, was hätten wir empfunden" by Franz Schubert, Michel Corboz, Alejandro Ramirez, Orchestre de Chambre de Lausanne having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | ||
Die Nacht (Arr. for Cello and Guitar by Anja Lechner and Pablo Márquez) | Franz Schubert, Anja Lechner, Pablo Marquez | G Major | 0 | 9B | 85 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
4 Pieces, Op. 51: 2. Prélude | Alexander Scriabin, Evgeny Kissin | F Major | 0 | 7B | 75 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy of Man’s Desiring (Transcr. Hess for Piano) | Johann Sebastian Bach, Daniil Trifonov | G Major | 0 | 9B | 82 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM |
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