"Libro primo: Intonazione del sesto tono" by Andrea Gabrieli, Schola Gregoriana Scriptoria, Don Nicola Bellinazo, Roberto Loreggian was released on August 28, 2015. With Libro primo: Intonazione del sesto tono being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Andrea Gabrieli, Schola Gregoriana Scriptoria, Don Nicola Bellinazo, Roberto Loreggian's "Gabrieli: Complete Keyboard Music" album is number 6 out of 85. On top of that, Netherlands appears to be the country where this track was created. Libro primo: Intonazione del sesto tono is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Libro primo: Intonazione del sesto tono by Andrea Gabrieli, Schola Gregoriana Scriptoria, Don Nicola Bellinazo, Roberto Loreggian to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Selig sind, die da geistlich arm sind | Johann Hermann Schein, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 81 BPM | ||
Alleluia, I Heard a Voice | Thomas Weelkes, Consort Of Musicke, Anthony Rooley | B Major | 2 | 1B | 115 BPM | ||
The Lady of Sussex Delight | Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno Cocset | E Major | 1 | 12B | 92 BPM | ||
Morir non può il mio core | Maddalena Casulana, The Sixteen, Harry Christophers | G Major | 1 | 9B | 131 BPM | ||
Diferencias sobre la Gallarda Milanesa (arr. for instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | E Major | 1 | 12B | 130 BPM | ||
Mass of the Americas: II. Kyrie | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | E Minor | 1 | 9A | 95 BPM | ||
Miserere: V. Auditui meo dabis gaudium et laetitiam ; Averte faciem tuam - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 1 | 10A | 172 BPM | ||
Capriccio (Sopra la bassa fiamenga) | Costanzo Porta, Flanders Recorder Quartet, Viola da Gamba Consort, Guy Penson | E♭ Minor | 0 | 2A | 72 BPM | ||
Dulces exuviae | Marbrianus de Orto, Capilla Flamenca, Patrick Denecker | A Minor | 2 | 8A | 67 BPM | ||
Hélas, Madame | Henry VIII, Katelijne Van Laethem, Jan Caals, Flanders Recorder Quartet, Capilla Flamenca, Bart Spanhove, Paul Van Loey, Joris Van Goethem, Fumiharu Yoshimine, Philippe Malfeyt | F♯ Major | 1 | 2B | 70 BPM |
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