"Große Credomesse, Kv 257: I. Kyrie" by Wolfgang Amadeus Mozart, Chor und Orchester von St. Augustin was released on February 2, 2024. The duration of Große Credomesse, Kv 257: I. Kyrie is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Große Credomesse, Kv 257: I. Kyrie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Chor und Orchester von St. Augustin's "Große Credomesse & Piccolominimesse" album is number 1 out of 13. On top of that, Austria appears to be the country where this track was created. In terms of popularity, Große Credomesse, Kv 257: I. Kyrie is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Große Credomesse, Kv 257: I. Kyrie by Wolfgang Amadeus Mozart, Chor und Orchester von St. Augustin to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Concerto in B-Flat Major: Andante sostenuto | Gaetano Donizetti, Camerata De Budapest, Laszlo Kovacs | B♭ Minor | 0 | 3A | 69 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Symphony No. 36 in C Major, K. 425 "Linz": II. Andante | Wolfgang Amadeus Mozart, Deutsche Kammerphilharmonie Bremen, Tarmo Peltokoski | F♯ Major | 1 | 2B | 87 BPM | ||
Sinfonia concertante in E-Flat Major, K. 364: II. Andante | Wolfgang Amadeus Mozart, Midori, Nobuko Imai, Christoph Eschenbach, NDR-Sinfonieorchester | D Major | 2 | 10B | 147 BPM | ||
Sinfonia Concertante For Violin, Viola And Orchestra In E Flat, K.364: 2. Andante | Wolfgang Amadeus Mozart, Giuliano Carmignola, Danusha Waskiewicz, Orchestra Mozart, Claudio Abbado | C Minor | 0 | 5A | 107 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: III. Rondo (Allegro) | Wolfgang Amadeus Mozart, Sam Franko, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 116 BPM |
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