"Gute Nacht (Good Night)" by Adolf Eduard Marschner, Gunnar Backman, Orphei Drängar, Robert Sund had its release date on March 31, 1997. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Traditional Swedish Songs of Spring & Summer". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Gute Nacht (Good Night) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gute Nacht (Good Night) by Adolf Eduard Marschner, Gunnar Backman, Orphei Drängar, Robert Sund having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Du vilar | Orphei Drängar | D♭ Major | 0 | 3B | 116 BPM | ||
Three Songs, Op. 42: I. Abendständchen | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
Burial Sentences: II. I Know That My Redeemer Liveth | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | C Minor | 1 | 5A | 144 BPM | ||
Sondheim : On The Steps Of The Palace | Stephen Sondheim, Orphei Drängar, Myrra Malmberg, Norrköpings Symfoniorkester | D Major | 4 | 10B | 122 BPM | ||
Min Jesus, Lad Mit Hjerte Få | Ars Nova Copenhagen | A Major | 0 | 11B | 117 BPM | ||
Gesang der Geister über den Wassern, Op. 167, D. 714 | Franz Schubert, Orphei Drängar, Robert Sund | F Major | 0 | 7B | 76 BPM | ||
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
ABRÉGÉ - folk suite for nyckelharpa and string orchestra, I. Kapten Kapsyl | Emilia Amper, Mikael Marin, Johannes Leonard Rusten, TrondheimSolistene, Øyvind Gimse | F Major | 2 | 7B | 123 BPM | ||
Brahms / Arr Higginbottom : Geistliches Lied Op.30 | Johannes Brahms, Edward Higginbottom | E♭ Major | 1 | 5B | 67 BPM | ||
Messe brève No. 7: IV. O Salutaris Hostia | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D♭ Major | 2 | 3B | 97 BPM |