Candide / Act II: 24. Bon Voyage
Leonard Bernstein, Nicolai Gedda, London Symphony Orchestra, London Symphony Chorus
Bernstein: Candide
2:43 January 1, 1991
BPM
95
Key
B♭ Major
Camelot
6B

Embed

Share Link

Candide / Act II: 24. Bon Voyage - Leonard Bernstein, Nicolai Gedda, London Symphony Orchestra, London Symphony Chorus Information

Acousticness
95%
Danceability
60%
Energy
44%
Instrumentalness
1%
Liveness
11%
Loudness
81%
Speechiness
6%
Valence
62%
Popularity
Loudness
-11.436 dB

Summary

Leonard Bernstein, Nicolai Gedda, London Symphony Orchestra, London Symphony Chorus made "Candide / Act II: 24. Bon Voyage" available on January 1, 1991. The duration of Candide / Act II: 24. Bon Voyage is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Candide / Act II: 24. Bon Voyage's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Candide / Act II: 24. Bon Voyage is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Candide / Act II: 24. Bon Voyage BPM

The tempo marking of Candide / Act II: 24. Bon Voyage by Leonard Bernstein, Nicolai Gedda, London Symphony Orchestra, London Symphony Chorus is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Candide / Act II: 24. Bon Voyage Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Carmina Burana: XVI. Dies, nox et omnia by Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard HickoxCarmina Burana: XVI. Dies, nox et omniaCarl Orff, London Symphony Chorus, London Symphony Orchestra, Richard HickoxD Major010B93 BPM
Strauss, R: 3 Lieder, Op. 88: No. 1, Das Bächlein (Version with Orchestra) by Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony OrchestraStrauss, R: 3 Lieder, Op. 88: No. 1, Das Bächlein (Version with Orchestra)Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony OrchestraF Major27B92 BPM
Daphne, Op. 82, TrV 272: Daphne, Op. 82, TrV 272: "Ich komme, ich komme"Richard Strauss, Renée Fleming, London Symphony Orchestra, Sir Georg SoltiE♭ Major05B135 BPM
The Dream of Gerontius, Op. 38: No. 19, The Dream of Gerontius, Op. 38: No. 19, "Glory to Him"Edward Elgar, Anne Sofie von Otter, London Symphony Orchestra, Sir Colin DavisD Major010B84 BPM
West Side Story: IV. The Dance at the Gym - Meeting Scene by Leonard Bernstein, Nina Bernstein, Alexander BernsteinWest Side Story: IV. The Dance at the Gym - Meeting SceneLeonard Bernstein, Nina Bernstein, Alexander BernsteinA Minor08A85 BPM
Il Barbiere di Siviglia (1996 Digital Remaster): Insomma io ho tutti i torti ... (Figaro/Conte/Rosina/Basilio/Bartolo) by Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora BarbieriIl Barbiere di Siviglia (1996 Digital Remaster): Insomma io ho tutti i torti ... (Figaro/Conte/Rosina/Basilio/Bartolo)Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora BarbieriG Major29B67 BPM
Battle of the Heroes by John Williams, London Symphony OrchestraBattle of the HeroesJohn Williams, London Symphony OrchestraC Minor35A90 BPM
La traviata / Act 3: La traviata / Act 3: "Ah, non più!" - "Ah! Gran Dio! Morir sì giovine"Giuseppe Verdi, Cheryl Studer, Luciano Pavarotti, Metropolitan Opera Orchestra, James LevineG Major19B64 BPM
Carmina Burana: II. Fortune plango vulnera by Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard HickoxCarmina Burana: II. Fortune plango vulneraCarl Orff, London Symphony Chorus, London Symphony Orchestra, Richard HickoxA Minor28A120 BPM
Cavalleria rusticana: Cavalleria rusticana: "A casa, amici" - "Comare Lola"Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea GavazzeniC Major18B86 BPM
ISRC
DEF058931814
Label
L-M Records/RCA Records

Section: 0.7708842754364014

End: 0.7742438316345215