"La traviata / Act 3: "Ah, non più!" - "Ah! Gran Dio! Morir sì giovine"" by Giuseppe Verdi, Cheryl Studer, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine was released on January 1, 1992. The duration of La traviata / Act 3: "Ah, non più!" - "Ah! Gran Dio! Morir sì giovine" is about 3 minutes long, at 3:23. Based on our data, "La traviata / Act 3: "Ah, non più!" - "Ah! Gran Dio! Morir sì giovine"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: La Traviata by Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi, Marianne Eklof, Barbara Bonney, Gösta Ohlin's Vocal Ensemble & Pro Musica Chamber Choir, Richard Wagner, Bernard Haitink, Richard Wagner, Gerard Schwarz, Giuseppe Verdi, Metropolitan Opera Orchestra, James Levine. The song's track number on the album is #14 out of 38 tracks. La traviata / Act 3: "Ah, non più!" - "Ah! Gran Dio! Morir sì giovine" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since La traviata / Act 3: "Ah, non più!" - "Ah! Gran Dio! Morir sì giovine" by Giuseppe Verdi, Cheryl Studer, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With La traviata / Act 3: "Ah, non più!" - "Ah! Gran Dio! Morir sì giovine" being at 64 BPM, the half-time would be 32 BPM with a double-time of 128 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Il Barbiere di Siviglia (1996 Digital Remaster): A un dottor della mia sorte (Bartolo) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E♭ Major | 3 | 5B | 138 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: Scene and Couplets. "Uzhel ya zasluzhil ot nasmyeshku etu?" | Pyotr Ilyich Tchaikovsky, Anne Sofie von Otter, Neil Shicoff, Michel Sénéchal, Thomas Allen, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
La Traviata / Act 2: "Pura siccome un angelo" | Giuseppe Verdi, Ileana Cotrubas, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 1 | 4B | 78 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | E♭ Major | 3 | 5B | 89 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Verdi: Aida, Act 1: "Quale insolita gioia nel tuo sguardo!" (Amneris, Radamès) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | F Major | 2 | 7B | 64 BPM | ||
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | ||
Der Rosenkavalier, Op.59 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 89 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Aria. "Zdyes on, zdyes on, Yevgeni!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM |
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