"La vestale, Act III: Récit. Mais avant de tenter un combat inégal" by Gaspare Spontini, Stanislas de Barbeyrac, Tassis Christoyannis, Les Talens Lyriques, Christophe Rousset was released on May 12, 2023. With La vestale, Act III: Récit. Mais avant de tenter un combat inégal being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 49 in the song's album "Spontini: La vestale". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Italy. La vestale, Act III: Récit. Mais avant de tenter un combat inégal is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La vestale, Act III: Récit. Mais avant de tenter un combat inégal by Gaspare Spontini, Stanislas de Barbeyrac, Tassis Christoyannis, Les Talens Lyriques, Christophe Rousset having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
‘Neath My Lattice Through the Night (The Rose of Persia): ‘Neath My Lattice Through the Night (The Rose of Persia) | Arthur Sullivan, Erin Morley, Gerald Martin Moore, Ransom Wilson | B Major | 1 | 1B | 117 BPM | ||
Don Giovanni, K. 527, Act II: Aria: Il mio tesoro intanto | Wolfgang Amadeus Mozart, Michael Spyres, Moscow Chamber Orchestra, Constantine Orbelian | F Major | 1 | 7B | 100 BPM | ||
Pagliacci: La Commedia: Paliaccio, mio marito (Nedda) | Ruggero Leoncavallo, Victoria de los Ángeles, Jussi Björling, George Cehanovsky, Paul Franke, Leonard Warren, Richard Wright, Robert Merrill, Columbus Boychoir, Robert Shaw Chorale, RCA Victor Orchestra, Renato Cellini | C Major | 1 | 8B | 93 BPM | ||
Louise, Act III: Depuis le jour | Gustave Charpentier, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | G Major | 1 | 9B | 90 BPM | ||
Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
Les Pêcheurs de perles, WD 13, Act I: Sois la bienvenu | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Les Cris De Paris | A Major | 0 | 11B | 173 BPM | ||
Così fan tutte, K.588, Act I: Aria. "Come scoglio immoto resta" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
4 Letzte Lieder, TrV 296: No. 1, Frühling | Richard Strauss, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | A Major | 2 | 11B | 77 BPM | ||
Nacht und Träume, D. 827 | Franz Schubert, Kathleen Battle, James Levine | F♯ Minor | 2 | 11A | 63 BPM |
Section: 0.9813344478607178
End: 0.9849410057067871