"Counting the Unknown" by Marie Dassel was released on February 7, 2022. With Counting the Unknown being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Visions by Marie Dassel. The song's track number on the album is #9 out of 11 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Based on our statistics, Counting the Unknown's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Counting the Unknown by Marie Dassel has a tempo of 131 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Counting the Unknown being at 131 BPM, the half-time would be 66 BPM with a double-time of 262 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Timbres oubliés (Arr. for Clarinet and Harp by Graeme Steele Johnson and Bridget Kibbey) | Charles Martin Loeffler, Graeme Steele Johnson, Bridget Kibbey | D♭ Major | 0 | 3B | 68 BPM | ||
Aragón | Ernesto Lecuona, Pierre Solot | F♯ Major | 1 | 2B | 73 BPM | ||
Referee | Sheavy | A♭ Minor | 0 | 1A | 75 BPM | ||
ぼくは君のとりこ | Chair House | G Minor | 0 | 6A | 142 BPM | ||
プリエ ~「椿姫」第1幕より青のパ・ド・ドゥ~ - 4/4 8×8 - ピアノ協奏曲第2番 第2楽章 変イ長調 Op.21 | 滝澤 志野 | E Major | 1 | 12B | 72 BPM | ||
24 Preludes, Op. 28: No. 19 in E-Flat Major. Vivace | Frédéric Chopin, Garrick Ohlsson | F♯ Major | 0 | 2B | 74 BPM | ||
Son of the Future | Paul Mattua | A♭ Major | 1 | 4B | 81 BPM | ||
On an Overgrown Path, Book 1, JW VIII/17: No. 5, Štěbetaly jak laštovičky | Leoš Janáček, Jennifer Elowsky-fox | F♯ Major | 0 | 2B | 65 BPM | ||
Préludes Intérieurs, 1er Cahier: I | Jacques Desbrière, Elizabeth Sombart | B♭ Major | 0 | 6B | 68 BPM | ||
Sonate pour flûte et piano, Op. 64: I. Andantino con moto | Mel Bonis, Mathilde Calderini, Aurèle Marthan | F♯ Major | 0 | 2B | 66 BPM |
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