"Libera nos, salva nos - 1st Setting" by John Sheppard, Choir of St. John's College, Cambridge, Andrew Nethsingha, Geoffrey Clapham was released on November 1, 2013. The duration of Libera nos, salva nos - 1st Setting is about 3 minutes long, at 3:18. Based on our data, "Libera nos, salva nos - 1st Setting" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Sheppard: Sacred Choral Works". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Libera nos, salva nos - 1st Setting is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Libera nos, salva nos - 1st Setting by John Sheppard, Choir of St. John's College, Cambridge, Andrew Nethsingha, Geoffrey Clapham having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christus resurgens | Peter Philips, Sarum Consort, Andrew Mackay | B Major | 1 | 1B | 97 BPM | ||
Missa ex B: XXII. Sanctus - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | F Major | 2 | 7B | 149 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
Seraphic Whispers | LeoRoads | F♯ Minor | 1 | 11A | 80 BPM | ||
Разбойника благоразумного | Хор Сретенского монастыря | D♭ Minor | 6 | 12A | 146 BPM | ||
6 Sprüche, Op. 79 (Ed. J. Jordan): No. 2, Am Neujahrstage | Felix Mendelssohn, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Quis numerare queat: I. Quis numerare queat | Loyset Compère, Owain Park, The Gesualdo Six | F Major | 2 | 7B | 128 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Peter Dijkstra, Bavarian Radio Chorus | C Major | 0 | 8B | 127 BPM | ||
27 2- and 3- Part Choruses, BB 111, Vol. 3: No. 1. Ne menj el (Don't Leave Me) | Béla Bartók, Schola Hungarica, László Dobszay | B♭ Minor | 0 | 3A | 76 BPM | ||
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM |
Section: 0.7105484008789062
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