Alta Musica, Maria Köpcke, Juliane Sprengel, Anja Schumacher, Caroline Schneider, Dagmar Jaenicke, Hans-Jürgen Burggaller, Petra Prieß, Michael Metzler, Rainer Böhm made "Che pena è quest'al cor" available on March 16, 2011. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 16 in Amours me fait desirer by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Che pena è quest'al cor's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Che pena è quest'al cor by Alta Musica, Maria Köpcke, Juliane Sprengel, Anja Schumacher, Caroline Schneider, Dagmar Jaenicke, Hans-Jürgen Burggaller, Petra Prieß, Michael Metzler, Rainer Böhm is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Perceval la quete du Graal: Dans la foret perdue (In the Lost Forest): Air des Chevaliers (Choir, Perceval) | Sylvain Bergeron, Daniel Taylor, Claire Gignac, Viviane LeBlanc, Catherine Herrmann, Rafik Samman, Nicolas Lemieux, La Nef | E Minor | 2 | 9A | 103 BPM | ||
Ja nus hons pris | Richard I of England, James Bowman, Early Music Consort Of London, David Munrow | D Minor | 0 | 7A | 80 BPM | ||
Sentirete una canzonetta | Tarquinio Merula, Suzie LeBlanc | D Major | 3 | 10B | 140 BPM | ||
Susato: Het derdren musyck boexken "Danserye": Ronde VII "Il estoit une fillette" (D'après Janequin) | Tylman Susato, Michel Piguet, Ricercare-Ensemble Zürich | B♭ Major | 1 | 6B | 73 BPM | ||
Con que la lavare | Miguel de Fuenllana, Shirley Rumsey | C Minor | 0 | 5A | 91 BPM | ||
Mein junges Leben hat ein End | Jan Pieter Sweelinck, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 70 BPM | ||
Jhon Come Kisse Me Now (Arr. Pierini for Soprano and String Quartet) | William Byrd, Claudia Barainsky, Delian Quartett | C Minor | 0 | 5A | 72 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Good Friday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | A♭ Minor | 0 | 1A | 84 BPM | ||
Saltarello No. 4 | Unicorn Ensemble | D Major | 4 | 10B | 80 BPM | ||
Misericordia - O quam amara est illa | Hildegard von Bingen, Romain Dayez, Jean-Paul Dessy | C Major | 0 | 8B | 71 BPM |
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