"Royal Fanfare The Entrance of The King" by Rafael Krux was released on November 30, 2022. With Royal Fanfare The Entrance of The King being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Since Royal Fanfare The Entrance of The King only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. In terms of popularity, Royal Fanfare The Entrance of The King is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Royal Fanfare The Entrance of The King by Rafael Krux having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in E-Flat Major, Op. 70: I. Allegro | Dmitri Shostakovich, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | B♭ Major | 3 | 6B | 137 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Piano Concerto No. 2 in C Minor: IV. Allegro deciso, assai moderato | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | E♭ Major | 1 | 5B | 103 BPM | ||
Fantasia dall'Italia: "Nel cor più non mi sento" dalla Bella Molinara di Giovanni Paisiello, Op. 4: VIII. Variazione VI Finale presto | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | G Major | 5 | 9B | 80 BPM | ||
Jupiter, The Bringer of Jollity, from The Planets | Various Artists | G Minor | 2 | 6A | 137 BPM | ||
Symphony Fantastique Op.14: Un Bal, Valse (Allegro Non Troppo) | Alberto Lizzio, South German Philharmonic Orchestra | A Major | 1 | 11B | 177 BPM | ||
Cinematic Classical Violin | Rafael Krux | A♭ Minor | 8 | 1A | 119 BPM | ||
Macbeth: Act IV, Introduction | Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny | B Major | 2 | 1B | 82 BPM | ||
Gymnopédie No. 2 (Orch. Corp) | Erik Satie, Ronald Corp, New London Orchestra | D Major | 1 | 10B | 159 BPM | ||
Raymonda, Act III: Grand Pas de Deux, Entree | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 3 | 10B | 84 BPM |
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