"Frühlingsnacht – Lied von Robert Schumann, S. 568 (After Liederkreis, Op. 39/12)" by Franz Liszt, Angela Hewitt was released on July 2, 2021. The duration of Frühlingsnacht – Lied von Robert Schumann, S. 568 (After Liederkreis, Op. 39/12) is about 3 minutes long, at 3:12. Based on our data, "Frühlingsnacht – Lied von Robert Schumann, S. 568 (After Liederkreis, Op. 39/12)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Angela Hewitt's "Love Songs - Piano Transcriptions Without Words" album is number 3 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Frühlingsnacht – Lied von Robert Schumann, S. 568 (After Liederkreis, Op. 39/12) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Frühlingsnacht – Lied von Robert Schumann, S. 568 (After Liederkreis, Op. 39/12) by Franz Liszt, Angela Hewitt to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
13 Pieces, Op. 76: No. 1 Esquisse | Jean Sibelius, Håvard Gimse | A Major | 1 | 11B | 141 BPM | ||
Pièce pour le Vêtement du blessé "Page d'album", CD 141 | Claude Debussy, Steven Osborne | A♭ Major | 0 | 4B | 69 BPM | ||
Paraphrase de concert sur Rigoletto, S. 434: Verdi - Rigoletto: Paraphrase de concert , S. 434/R. 267 | Franz Liszt, Alexandre Dossin | F Minor | 1 | 4A | 117 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
Widmung | Robert Schumann, Franz Liszt, Evgeny Kissin | A♭ Major | 0 | 4B | 172 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Sonatine, M. 40: III. Animé | Maurice Ravel, Angela Hewitt | D♭ Major | 0 | 3B | 65 BPM | ||
Nocturne No. 4 in E-Flat Major, Op. 36 | Gabriel Fauré, Jean Martin | E♭ Major | 0 | 5B | 62 BPM | ||
6 Romances sans paroles, Op. 76: No. 1. Souvenance | Cécile Chaminade, Cindy Lin | E Minor | 1 | 9A | 65 BPM |
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