- BPM
- 101
- Key
- D♭ Major
- Camelot
- 3B
Trio Sonata No. 5 in C Major, BWV 529: III. Allegro (Arr. R. Gwilt) - Johann Sebastian Bach, London Baroque Information
- Acousticness
- 84%
- Danceability
- 46%
- Energy
- 42%
- Instrumentalness
- 20%
- Liveness
- 17%
- Loudness
- 78%
- Speechiness
- 5%
- Valence
- 20%
- Popularity
- 1%
- Loudness
- -12.959 dB
Summary
Johann Sebastian Bach, London Baroque's 'Trio Sonata No. 5 in C Major, BWV 529: III. Allegro (Arr. R. Gwilt)' came out on July 1, 2002. The duration of Trio Sonata No. 5 in C Major, BWV 529: III. Allegro (Arr. R. Gwilt) is about 3 minutes long, at 3:28. Based on our data, "Trio Sonata No. 5 in C Major, BWV 529: III. Allegro (Arr. R. Gwilt)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 18 in Bach, J.S.: Trio Sonatas, Bwv 525-530 by Johann Sebastian Bach, London Baroque. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Trio Sonata No. 5 in C Major, BWV 529: III. Allegro (Arr. R. Gwilt) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Trio Sonata No. 5 in C Major, BWV 529: III. Allegro (Arr. R. Gwilt) BPM
The tempo marking of Trio Sonata No. 5 in C Major, BWV 529: III. Allegro (Arr. R. Gwilt) by Johann Sebastian Bach, London Baroque is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Trio Sonata No. 5 in C Major, BWV 529: III. Allegro (Arr. R. Gwilt) Key
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bach, JS: Cello Suite No. 4 in E-Flat Major, BWV 1010: IV. Sarabande | Johann Sebastian Bach, Mstislav Rostropovich | A♭ Major | 1 | 4B | 58 BPM | |
 | Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major | Benjamin Frith, John Field | G Major | 0 | 9B | 125 BPM | |
 | 6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | |
 | The Four Seasons - Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | D♭ Minor | 1 | 12A | 176 BPM | |
 | Flute Sonata in E Minor, BWV 1034: III. Andante | Johann Sebastian Bach, Petri Alanko, Jukka Rautasalo, Anssi Mattila | G Major | 0 | 9B | 102 BPM | |
 | Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | B Minor | 4 | 10A | 119 BPM | |
 | Nocturne No.6 In G Minor, Op.15 No.3 | Frédéric Chopin, Maurizio Pollini | D Minor | 0 | 7A | 105 BPM | |
 | Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | |
 | Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | |
| Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM |
- ISRC
- SEAEN0245150
- Label
- L-M Records/RCA Records
Section: 0.6460721492767334
End: 0.6515815258026123