The Queen of Spades, Op. 68, Act II: Forgive me heavenly creature "Herman's Arioso"
Pyotr Ilyich Tchaikovsky, Vladimir Grishko, Ukraine State Radio Symphony Orchestra, Vladimir Sirenko
Russian Opera Arias, Vol. 1
2:48 January 25, 2002
BPM
133
Key
G Major
Camelot
9B

Embed

Share Link

The Queen of Spades, Op. 68, Act II: Forgive me heavenly creature "Herman's Arioso" - Pyotr Ilyich Tchaikovsky, Vladimir Grishko, Ukraine State Radio Symphony Orchestra, Vladimir Sirenko Information

Acousticness
99%
Danceability
26%
Energy
18%
Instrumentalness
0%
Liveness
6%
Loudness
73%
Speechiness
4%
Valence
5%
Popularity
Loudness
-16.241 dB

Summary

"The Queen of Spades, Op. 68, Act II: Forgive me heavenly creature "Herman's Arioso"" by Pyotr Ilyich Tchaikovsky, Vladimir Grishko, Ukraine State Radio Symphony Orchestra, Vladimir Sirenko had its release date on January 25, 2002. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. The Queen of Spades, Op. 68, Act II: Forgive me heavenly creature "Herman's Arioso"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Russian Opera Arias, Vol. 1". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, The Queen of Spades, Op. 68, Act II: Forgive me heavenly creature "Herman's Arioso"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Queen of Spades, Op. 68, Act II: Forgive me heavenly creature "Herman's Arioso" BPM

With The Queen of Spades, Op. 68, Act II: Forgive me heavenly creature "Herman's Arioso" by Pyotr Ilyich Tchaikovsky, Vladimir Grishko, Ukraine State Radio Symphony Orchestra, Vladimir Sirenko having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

The Queen of Spades, Op. 68, Act II: Forgive me heavenly creature "Herman's Arioso" Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
An der schönen blauen Donau, Waltz, Op. 314 by Johann Strauss II, Berliner Philharmoniker, Herbert von KarajanAn der schönen blauen Donau, Waltz, Op. 314Johann Strauss II, Berliner Philharmoniker, Herbert von KarajanD Major010B95 BPM
Waltz No. 19 in A minor, Op. posth. by Frédéric Chopin, Peter JablonskiWaltz No. 19 in A minor, Op. posth.Frédéric Chopin, Peter JablonskiA Minor08A69 BPM
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King by Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian RuudPeer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain KingEdvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian RuudG Major19B90 BPM
Après un rêve, Op. 7, No. 1 by Gabriel Fauré, Joshua BellAprès un rêve, Op. 7, No. 1Gabriel Fauré, Joshua BellG Minor26A59 BPM
Sorochintsi Fair, Act I: Gopak (Hopak) by Modest Mussorgsky, Slovak Philharmonic, Kenneth JeanSorochintsi Fair, Act I: Gopak (Hopak)Modest Mussorgsky, Slovak Philharmonic, Kenneth JeanG Major29B127 BPM
Finale: Scene 1 (Onegin Ballet Suite No 9) by Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John LanchberyFinale: Scene 1 (Onegin Ballet Suite No 9)Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John LanchberyE Minor39A103 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato by Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigBruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderatoMax Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigE♭ Major15B113 BPM
Zapateado Op. 23 by Pablo de Sarasate, Sarah Chang, Charles AbramovicZapateado Op. 23Pablo de Sarasate, Sarah Chang, Charles AbramovicA Major311B113 BPM
Vocalise, Op. 34, No. 14 - Version For Cello And Piano by Sergei Rachmaninoff, Mischa Maisky, Pavel GililovVocalise, Op. 34, No. 14 - Version For Cello And PianoSergei Rachmaninoff, Mischa Maisky, Pavel GililovE Minor89A128 BPM
Prélude in C-Sharp Minor, Op. 3, No. 2 by Sergei RachmaninoffPrélude in C-Sharp Minor, Op. 3, No. 2Sergei RachmaninoffF♯ Minor111A115 BPM
ISRC
HKI190154603
Label
L-M Records/RCA Records