"The Queen of Spades, Op. 68, Act II: Forgive me heavenly creature "Herman's Arioso"" by Pyotr Ilyich Tchaikovsky, Vladimir Grishko, Ukraine State Radio Symphony Orchestra, Vladimir Sirenko had its release date on January 25, 2002. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. The Queen of Spades, Op. 68, Act II: Forgive me heavenly creature "Herman's Arioso"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Russian Opera Arias, Vol. 1". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, The Queen of Spades, Op. 68, Act II: Forgive me heavenly creature "Herman's Arioso"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Queen of Spades, Op. 68, Act II: Forgive me heavenly creature "Herman's Arioso" by Pyotr Ilyich Tchaikovsky, Vladimir Grishko, Ukraine State Radio Symphony Orchestra, Vladimir Sirenko having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An der schönen blauen Donau, Waltz, Op. 314 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 95 BPM | ||
Waltz No. 19 in A minor, Op. posth. | Frédéric Chopin, Peter Jablonski | A Minor | 0 | 8A | 69 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | G Major | 1 | 9B | 90 BPM | ||
Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Joshua Bell | G Minor | 2 | 6A | 59 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Finale: Scene 1 (Onegin Ballet Suite No 9) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | E Minor | 3 | 9A | 103 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM |