Traditional, Choirs of St. John Cantius made "2nd Sorrowful Mystery, Scourging at the Pillar" available on 2010. With this song being about 5 minutes long, at 4:47, "2nd Sorrowful Mystery, Scourging at the Pillar" by Traditional, Choirs of St. John Cantius is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 54 in the song's album "St. John Cantius Presents: The Traditional Rosary with Music and Devotions in Honor of Our Lady". In this album, this song's track order is #5. The popularity of 2nd Sorrowful Mystery, Scourging at the Pillar is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 2nd Sorrowful Mystery, Scourging at the Pillar by Traditional, Choirs of St. John Cantius having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Simple Gifts (Arr. Knigge Recorder and Ensemble) | Traditional, Lucie Horsch, LUDWIG Orchestra | G Major | 0 | 9B | 94 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Beati Mundo Corde; Quicumque Christum | Monks Of The Abbey Of Notre Dame | B♭ Minor | 1 | 3A | 142 BPM | ||
Passion Week, Op. 13: VI. Of Thy Mystical Supper | Maximilian Steinberg, Cappella Romana, Alexander Lingas | C Major | 0 | 8B | 128 BPM | ||
Our Father | Bulgarian National Choir | E♭ Minor | 2 | 2A | 78 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
3 Nocturnes: No. 1. Ballade to the Moon | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | E Major | 0 | 12B | 66 BPM | ||
The Water of Tyne (arr. Elizabeth Poston) | Traditional, Elizabeth Poston, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | D♭ Major | 0 | 3B | 78 BPM | ||
Te Joseph | Traditional, Monks Of The Abbey Of Notre Dame | D♭ Minor | 1 | 12A | 126 BPM | ||
Hymnus, Veni Creator Spiritus | Choir of Beirut | B♭ Major | 0 | 6B | 70 BPM |
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