Wolfgang Amadeus Mozart, Riccardo Muti, Samuel Ramey, Wiener Philharmoniker's 'Mozart: Don Giovanni, K. 527, Act 1: "Madamina, il catalogo è questo" (Leporello)' came out on October 31, 1988. Mozart: Don Giovanni, K. 527, Act 1: "Madamina, il catalogo è questo" (Leporello) is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 9 out of 214. On top of that, United Kingdom appears to be the country where this track was created. Mozart: Don Giovanni, K. 527, Act 1: "Madamina, il catalogo è questo" (Leporello) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 1: "Madamina, il catalogo è questo" (Leporello) by Wolfgang Amadeus Mozart, Riccardo Muti, Samuel Ramey, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM | ||
Ein deutsches Requiem, Op.45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" | Johannes Brahms, Barbara Hendricks, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 0 | 9B | 92 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mamma" | Pietro Mascagni, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | E Minor | 2 | 9A | 168 BPM | ||
Hungarian Dance No. 1 in G Minor, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM | ||
Die Zauberflöte / Act 2: "O Isis und Osiris" | Wolfgang Amadeus Mozart, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F Major | 1 | 7B | 115 BPM | ||
Davide penitente, K. 469: Aria: A te, fra tanti affanni (Tenor) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 2 | 7A | 119 BPM | ||
Mozart: Così fan tutte, K. 588, Act I, Scene 4: No. 6, Quintetto. "Sento, o Dio, che questo piede" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) | Wolfgang Amadeus Mozart, Giuseppe Taddei, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Heinrich Schmidt, Walter Berry, Karl Böhm, Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
Così fan tutte, K.588 / Act 1: "Ah, guarda, sorella" - Live | Wolfgang Amadeus Mozart, Renée Fleming, Anne Sofie von Otter, David Syrus, Chamber Orchestra of Europe, Sir Georg Solti | C Minor | 1 | 5A | 86 BPM | ||
Andrea Chénier / Act III: "La mamma morta" | Umberto Giordano, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | D Major | 1 | 10B | 76 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM |
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