Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 51, Rezitativ. "Erbarm' es Gott"
Johann Sebastian Bach, Nikolaus Harnoncourt, Elisabeth Von Magnus, Concentus Musicus Wien
Bach, JS: St Matthew Passion, BWV 244
1:05 January 1, 2001
BPM
88
Key
C Minor
Camelot
5A

Embed

Share Link

Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 51, Rezitativ. "Erbarm' es Gott" - Johann Sebastian Bach, Nikolaus Harnoncourt, Elisabeth Von Magnus, Concentus Musicus Wien Information

Acousticness
94%
Danceability
46%
Energy
26%
Instrumentalness
0%
Liveness
32%
Loudness
73%
Speechiness
4%
Valence
29%
Popularity
Loudness
-15.935 dB

Summary

Johann Sebastian Bach, Nikolaus Harnoncourt, Elisabeth Von Magnus, Concentus Musicus Wien's 'Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 51, Rezitativ. "Erbarm' es Gott"' had a release date set for January 1, 2001. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 51 out of 68 in Bach, JS: St Matthew Passion, BWV 244 by Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 51, Rezitativ. "Erbarm' es Gott" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 51, Rezitativ. "Erbarm' es Gott" BPM

The tempo marking of Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 51, Rezitativ. "Erbarm' es Gott" by Johann Sebastian Bach, Nikolaus Harnoncourt, Elisabeth Von Magnus, Concentus Musicus Wien is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 51, Rezitativ. "Erbarm' es Gott" Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Orchestral Suite No. 3 in D, BWV 1068: 2. Air by Johann Sebastian Bach, Janine Jansen, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan JansenOrchestral Suite No. 3 in D, BWV 1068: 2. AirJohann Sebastian Bach, Janine Jansen, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan JansenD Major210B66 BPM
Orfeo ed Euridice, Act II Scene 2: Ballet Music, Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff)Wilhelm Kempff, Christoph Willibald Gluck, Idil BiretF Major07B81 BPM
Ouverture in D Major, Ouverture in D Major, "Darmstadt": HarlequinadeGeorg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-BruhlD♭ Major13B174 BPM
Rêverie, L. 68: Rêverie by Claude Debussy, Jean-Yves ThibaudetRêverie, L. 68: RêverieClaude Debussy, Jean-Yves ThibaudetG Minor06A69 BPM
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) by Richard Strauss, Angela HewittMorgen, Op. 27 No. 4 (Arr. Reger for Piano)Richard Strauss, Angela HewittA Major211B143 BPM
Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum by Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin MallonLaudate pueri Dominum, RV 600: Sit nomen Domini benedictumAntonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin MallonG Major49B92 BPM
Ständchen (From Schwanengesang, D957) by Franz Liszt, Evgeny KissinStändchen (From Schwanengesang, D957)Franz Liszt, Evgeny KissinD Major010B68 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsHaydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsF Major17B124 BPM
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) by Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian BachConcerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro)Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian BachE Minor19A81 BPM
Toccata & Fugue in D Minor, BWV 565 (Transc. I. Friedman): Fugue by Ignaz Friedman, Johann Sebastian Bach, Roberto CominatiToccata & Fugue in D Minor, BWV 565 (Transc. I. Friedman): FugueIgnaz Friedman, Johann Sebastian Bach, Roberto CominatiD Minor27A98 BPM
ISRC
DEA800026551
Label
L-M Records/RCA Records