"Dallapiccola: Liriche greche II, 2 Liriche di Anacreonte: No. 2, Variazioni" by Luigi Dallapiccola, Hans Zender, Ensemble Intercontemporain, Julie Moffat was released on January 1, 1995. The duration of Dallapiccola: Liriche greche II, 2 Liriche di Anacreonte: No. 2, Variazioni is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Dallapiccola: Liriche greche II, 2 Liriche di Anacreonte: No. 2, Variazioni's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 20 in Dallapiccola: Canti di prigionia, Frammenti di Saffo ed altre opere vocali by Luigi Dallapiccola, Hans Zender, James Wood. Dallapiccola: Liriche greche II, 2 Liriche di Anacreonte: No. 2, Variazioni is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dallapiccola: Liriche greche II, 2 Liriche di Anacreonte: No. 2, Variazioni by Luigi Dallapiccola, Hans Zender, Ensemble Intercontemporain, Julie Moffat is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Solo Sonata, Op. 8: I. Allegro maestoso ma appassionato | Zoltán Kodály, Johannes Przygodda | B Minor | 1 | 10A | 65 BPM | ||
4 Short Pieces, Op. 6: No. 1, Prelude. Non troppo allegro | Howard Ferguson, John Finucane, Elisaveta Blumina | A Minor | 0 | 8A | 51 BPM | ||
Sonatina canonica su "capricci" di Niccolò Paganini: I. Allegro Comodo - Allegro molto misurato - I. Tempo | Luigi Dallapiccola, Andrea Molteni | A♭ Major | 2 | 4B | 67 BPM | ||
Three Doors (II) - Concert Performance | Ümit Armağan | C Minor | 2 | 5A | 133 BPM | ||
DD (Double D) | Vanessa Lann, Guy Livingston | C Major | 2 | 8B | 104 BPM | ||
Sargent Rag | Remersaro Trío | A♭ Major | 3 | 4B | 145 BPM | ||
A Foggy Day | Carrie Baynes | D♭ Major | 1 | 3B | 81 BPM | ||
Die Loreley, S. 273 (Arr. Solo Piano by Ganz) - Duo-Art 7114 | Franz Liszt, Rudolph Ganz, Peter Phillips | G Major | 0 | 9B | 73 BPM | ||
Sapho: Solitude | Jules Massenet, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Bagatelles, Op. 47, B. 79: No. 2, Tempo di minuetto. Grazioso | Antonín Dvořák, Ralph Evans, Efim Boico, Niklas Schmidt, Ryoko Morooka | G Major | 1 | 9B | 116 BPM |
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