Claudio Monteverdi, Ann Monoyios, Mark Tucker, Nigel Robson, Sandro Naglia, Bryn Terfel, Alastair Miles, Michael Chance, Marinella Pennicchi, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, Ian Watson, The Monteverdi Choir, The London Oratory Junior Choir made "Vespro della Beata Vergine, SV 206: Magnificat I a 7 - Live" available on December 8, 1986. Vespro della Beata Vergine, SV 206: Magnificat I a 7 - Live appears to be safe for all ages as it is not explicit. The track order of this song in Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner's "Monteverdi: Vespers of the Blessed Virgin" album is number 3 out of 14. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Vespro della Beata Vergine, SV 206: Magnificat I a 7 - Live's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Vespro della Beata Vergine, SV 206: Magnificat I a 7 - Live by Claudio Monteverdi, Ann Monoyios, Mark Tucker, Nigel Robson, Sandro Naglia, Bryn Terfel, Alastair Miles, Michael Chance, Marinella Pennicchi, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, Ian Watson, The Monteverdi Choir, The London Oratory Junior Choir to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Earle of Essex Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | F Minor | 1 | 4A | 107 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | ||
Viola da Gamba Suite in D Minor: I. Arpeggiata | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 95 BPM | ||
Te Deum laudamus pour deux choeurs et basse continue: I. Te Deum Laudamus | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Major | 1 | 2B | 169 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
Fago: Il Faraone sommerso: "Alla gente a Dio diletta" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 92 BPM | ||
All-night Vigil, Op. 37, "Vespers": Hail, O Virgin Mother (Ave Maria) | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 139 BPM | ||
Ohimè Ch'Io Cado (Libro Nono) | Jordi Savall, Claudio Monteverdi, Montserrat Figueras | F Major | 2 | 7B | 76 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Madrigali guerrieri, et amorosi: Lamento della ninfa, SV 163 | Claudio Monteverdi, Magdalena Kozená, Jakob Pilgram, Michael Feyfar, Luca Tittoto, La Cetra Barockorchester Basel, Andrea Marcon | A Minor | 1 | 8A | 173 BPM |
Section: 0.6478514671325684
End: 0.652122974395752