Anonymous, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal made "Magnificat (Gregorian)" available on 1977. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal's "Great Hours of Liturgy at Notre-Dame in Paris" album is number 6 out of 15. On top of that, France appears to be the country where this track was created. In terms of popularity, Magnificat (Gregorian) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Magnificat (Gregorian) by Anonymous, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Boléro sur un thème de charles racquet pour grand | Pierre Cochereau, Olivier Latry, Emmanuel Curt, Florent Jodelet | D Major | 2 | 10B | 125 BPM | ||
Tota pulchra es, WAB 46 | Anton Bruckner, Jānis Kurševs, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | C Major | 0 | 8B | 131 BPM | ||
Missa orbis factor - Kyrie | Nova Schola Gregoriana, Alberto Turco | A♭ Major | 0 | 4B | 107 BPM | ||
Mass for 4 mixed voices, 2 organs and brass in E Major: V. Benedictus | Léonce de Saint-Martin, Pierre Cochereau, Jehan Revert, Choir of Notre-Dame in Paris, Denise Chirat-Comtet, Armand Birbaum Brass Ensemble | C Minor | 3 | 5A | 53 BPM | ||
Sicut Cervus | Giovanni Pierluigi da Palestrina, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | A♭ Major | 2 | 4B | 113 BPM | ||
Son of God Mass: Sanctus and Benedictus | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 1 | 7B | 131 BPM | ||
Khorhoot Khorin: O, Mystery Deep (Choir) | Paros Chamber Choir, Raffi Mikaelian | F♯ Minor | 0 | 11A | 62 BPM | ||
Ave maris stella | Anonymous, Maison Sainte Thérèse | D Major | 1 | 10B | 142 BPM | ||
Veni, Creator Spiritus - Hymnus (tonus monasticus) in Festo Pentecostes | Anonymous, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | B♭ Major | 1 | 6B | 71 BPM | ||
Edinorodnij Synje | St. Peter St. Paul Cathedral Choir of Minsk | E♭ Minor | 1 | 2A | 79 BPM |
Section: 0.5308957099914551
End: 0.5354447364807129