"Mass for 4 mixed voices, 2 organs and brass in E Major: V. Benedictus" by Léonce de Saint-Martin, Pierre Cochereau, Jehan Revert, Choir of Notre-Dame in Paris, Denise Chirat-Comtet, Armand Birbaum Brass Ensemble was released on 1972. With Mass for 4 mixed voices, 2 organs and brass in E Major: V. Benedictus being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Saint-Martin: Mass for 4 mixed voices, 2 organs and brass in E Major & Organ Works". In this album, this song's track order is #5. Furthermore, we believe that the track originated from France. Mass for 4 mixed voices, 2 organs and brass in E Major: V. Benedictus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mass for 4 mixed voices, 2 organs and brass in E Major: V. Benedictus by Léonce de Saint-Martin, Pierre Cochereau, Jehan Revert, Choir of Notre-Dame in Paris, Denise Chirat-Comtet, Armand Birbaum Brass Ensemble having a BPM of 53 with a half-time of 26 BPM and a double-time of 106 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laudate Pueri: IV. Quis sicut Dominus | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 2 | 11B | 74 BPM | ||
Suite No. 1: Prélude | Louis Vierne, Olivier Latry | C Major | 0 | 8B | 83 BPM | ||
Mass for 4 mixed voices, 2 organs and brass in E Major: VI. Agnus Dei | Léonce de Saint-Martin, Pierre Cochereau, Jehan Revert, Choir of Notre-Dame in Paris, Denise Chirat-Comtet, Armand Birbaum Brass Ensemble | C Minor | 3 | 5A | 53 BPM | ||
Thalben-Ball: Elegy | George Thalben-Ball, Ian Tracey | G Minor | 0 | 6A | 98 BPM | ||
Toccata "De Here God Zij Lof Bewezen", Ps. 72 | Frank Kaman | D Major | 2 | 10B | 70 BPM | ||
Sleep (orch. Jim Clements) | Eric Whitacre, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Jack Liebeck, Barnaby Smith | C Minor | 1 | 5A | 78 BPM | ||
The Leaves Bee Greene | William Inglott, Neil Taylor | B Minor | 1 | 10A | 73 BPM | ||
Suite cyclique, Op. 11: Fugue | Léonce de Saint-Martin, Anthony Hammond | F♯ Minor | 0 | 11A | 76 BPM | ||
Anim Zemirot - Pt. II | Jacob Mühlrad, Swedish Radio Choir | E♭ Major | 1 | 5B | 115 BPM | ||
Celebratio | Frank Kaman | B♭ Major | 4 | 6B | 83 BPM |
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