Mass in B Minor, BWV 232: Kyrie. Kyrie eleison (Chorus) - Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki Information

Acousticness: 98%
Danceability: 16%
Energy: 12%
Instrumentalness: 71%
Liveness: 34%
Loudness: 66%
Speechiness: 4%
Valence: 7%
Popularity: 10%
Loudness: -20.187 dB

Summary

"Mass in B Minor, BWV 232: Kyrie. Kyrie eleison (Chorus)" by Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki was released on October 3, 2007. Mass in B Minor, BWV 232: Kyrie. Kyrie eleison (Chorus) appears to be safe for all ages as it is not explicit. The song is number 1 out of 27 in Bach: Mass in B minor by Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Mass in B Minor, BWV 232: Kyrie. Kyrie eleison (Chorus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mass in B Minor, BWV 232: Kyrie. Kyrie eleison (Chorus) BPM

The tempo marking of Mass in B Minor, BWV 232: Kyrie. Kyrie eleison (Chorus) by Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.

Mass in B Minor, BWV 232: Kyrie. Kyrie eleison (Chorus) Key

This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Weichet nur, betrübte Schatten, Cantata BWV 202 "Wedding Cantata": Aria "Weichet nur, betrübte Schatten" (Arr. Thomas)	Johann Sebastian Bach, Fred Thomas	F♯ Minor	1	11A	77 BPM
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro	Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach	B♭ Major	4	6B	129 BPM
Matthäus Passion, Prima Parte: 20. Aria (Tenor) With Chorus: Ich Will Bei Meinem Jesu Wachen	Stephen Cleobury, Choir of King's College, Cambridge, Johann Sebastian Bach, Emma Kirkby, Rogers Covey-Crump, Michael George, Martyn Hill, Michael Chance, David Thomas	B Minor	1	10A	73 BPM
Cello Concerto in D Minor, RV 407: I. Allegro	Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer	D Minor	1	7A	116 BPM
Coriolan, Op. 62: Overture	Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan	F Minor	2	4A	76 BPM
Coffee Cantata, BWV 211: Trio: Die Katze lasst das Mausen nicht	Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato	F♯ Major	1	2B	81 BPM
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise	George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich	A♭ Minor	0	1A	96 BPM
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928	Janos Sebestyen, Johann Sebastian Bach	F Major	2	7B	140 BPM
Requiem, Op. 48: Pie Jesu	Gabriel Fauré, Collegium Vocale Gent, Johannette Zomer, La Chapelle Royale, Philippe Herreweghe	B♭ Major	0	6B	83 BPM
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea	Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent	D Minor	1	7A	171 BPM

ISRC: SEAER0701010
Label: L-M Records/RCA Records

Section: 0.7236301898956299

End: 0.729318380355835