"Julius Caesar, HWV 17, Act II Scene 2: Wounded, the serpent ne'er reposes (Sextus)" by George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Della Jones was released on April 1, 1999. With this song being about 5 minutes long, at 5:04, "Julius Caesar, HWV 17, Act II Scene 2: Wounded, the serpent ne'er reposes (Sextus)" by George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Della Jones is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Valerie Masterson, James Bowman, Della Jones, Sarah Walker, John Tomlinson's "Handel: Julius Caesar" album is number 11 out of 58. On top of that, United Kingdom appears to be the country where this track was created. Julius Caesar, HWV 17, Act II Scene 2: Wounded, the serpent ne'er reposes (Sextus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Julius Caesar, HWV 17, Act II Scene 2: Wounded, the serpent ne'er reposes (Sextus) by George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Della Jones to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | ||
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 1, Allegro moderato | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 107 BPM | ||
Concerto for Flute, English Horn, Strings and B.c. "Amabile baltà": 3. Largo ("Softly Sweet in Lydian Measures" From Oratorio 'Alexander's Feast', HWV 75) | George Frideric Handel, Albrecht Mayer, Matthieu Gauci-Ancelin, Jakub Haufa, Monika Razynska, Sinfonia Varsovia | A Major | 4 | 11B | 111 BPM | ||
Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 102 BPM | ||
Water Music Suite No.1 in F, HWV 348: 7. Bourrée | George Frideric Handel, The English Concert, Trevor Pinnock | E Major | 4 | 12B | 128 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | G Major | 4 | 9B | 92 BPM | ||
Amadis de Gaule, W. G39: Act II Scene V: Gigue | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 132 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Handel: Organ Concerto in F Major, Op. 4 No. 4, HWV 292: I. Allegro | George Frideric Handel, Valda Aveling, Menuhin Festival Orchestra, Simon Preston, Yehudi Menuhin | A Major | 1 | 11B | 79 BPM |
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