"Follia (Guitar Solo)" by Francesco Corbetta, The King's Noyse, Paul O'Dette was released on 2000. The duration of Follia (Guitar Solo) is about 3 minutes long, at 3:03. Based on our data, "Follia (Guitar Solo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Pavaniglia - Dances & Madrigals from 17th-century Italy". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Follia (Guitar Solo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Follia (Guitar Solo) by Francesco Corbetta, The King's Noyse, Paul O'Dette having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
MRS. White's Nothing | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 95 BPM | ||
Quatrième suite in A Minor: No. 2, Allemande | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 1 | 11A | 94 BPM | ||
Je suis trop jeunette, pour instruments | Raulin De Vaux, Doulce Mémoire | E♭ Minor | 0 | 2A | 90 BPM | ||
In Nomine No. 2 | William Byrd, The Rose Consort Of Viols | F♯ Minor | 1 | 11A | 108 BPM | ||
Suite En Mi Mineur: Sarabande, II.100 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | E♭ Minor | 1 | 2A | 70 BPM | ||
Varii scherzi di sonate, Book 4: Passacaglia | Francesco Corbetta, Private Musicke, Pierre Pitzl | D♭ Minor | 1 | 12A | 105 BPM | ||
Hit in the Middle | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Major | 0 | 3B | 77 BPM | ||
Diferencias sobre la Gallarda Milanesa (arr. for instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | E Major | 1 | 12B | 130 BPM | ||
Volte | Johann Daniel Mylius, Lutz Kirchhof | A Major | 1 | 11B | 97 BPM | ||
Ain Schone Kunstliche Underweisung, 1523: Woll Kumbt Der May | Hans Judenkünig, Joachim Held | G Minor | 0 | 6A | 130 BPM |
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